With 50 FIRST DATES it seems as though Adam Sandler is going through an identity crisis of some sort. The film itself is an ill-conceived amalgam of sentiment played sweet not sappy, mixed uncertainly with the usual lower-than-low-brown humor with which Sandler’s films, PUNCH DRUNK LOVE excepted, are saturated. Hence the walrus spew scene less… Read More »
SPANGLISH
SPANGLISH is neither particularly good, nor particularly dreadful. Its weak point provide an almost perfect counterbalance to its drawbacks, rendering it the sort of thing you might hit upon while flipping channels when nothing else is on, or buy a ticket for if everything else at the multiplex is sold out. In it, James L.… Read More »
CLICK
Having been roundly castigated for MR DEEDS, his attempt to remake a classic film, Frank Capra’s MR DEEDS GOES TO TOWN, Adam Sandler has taken a more oblique, but no more successful, approach to remaking A CHRISTMAS CAROL. Instead of the Yule Season, it’s the Fourth of July. Instead of a miser who shuns humanity,… Read More »
REIGN OVER ME
Sooner or later a film was bound to make 9/11 a glib plot point and with REIGN OVER ME, so it has come to pass. The good news is that this is one-half of a terrific film. The bad news is that Adam Sandler is in the other half. The worse news is that 9/11… Read More »
I NOW PRONOUNCE YOU CHUCK AND LARRY
I NOW PRONOUNCE YOU CHUCK AND LARRY is another self-indulgent, unfunny wallow in what Adam Sandler thinks is funny. From the first fart joke (10 minutes in) to the second fart joke (11 minutes in), to the self-congratulatory deus ex machina ending that is supposed to redeem the previous excruciating two hours, it is a… Read More »