KANDAHAR has the virtue of being more than a quotidian action tale of espionage and its attendant machinations. By taking a brooding rather than kinetic approach, it becomes a bittersweet meditation on, as one character sums up very neatly, the idea that modern wars are not meant to be won. The implications of that provide… Read More »
DEATH ON THE NILE
And so with DEATH ON THE NILE (2022), we learn about the man behind the moustaches. That would be Hercule Poirot, Agatha Christie’s cerebral Belgian detective devoted to his “little grey cells” and keeping order in the world. The former gets short shrift, mention-wise, in this adaptation, while the latter rears its compulsive head in… Read More »