If anyone could have saved THE HOUSE, it would have been Amy Poehler and Will Ferrell. Theirs is a deliciously insouciant sense of comedy delivered with deadpan sincerity that can make the most of anything tossed their way. And so it is with THE HOUSE, a raggedly written story with a creaky plot that no… Read More »
SISTERS
The one questions that reverberates through SISTERS is why didn’t the stars, Amy Poehler and Tina Fey, write the script? They are producers, after all, and would seem, therefore, to have the clout to get any script that they wanted made, and yet, they have opted to squander their considerable talents on an egregiously plug-and-play… Read More »
HAMLET 2
Where do dreams go to die? That’s the question posed at the beginning of HAMLET 2, a comedy about the triumph of enthusiasm over talent. The answer to that question is Tucson, Arizona, at least for Dana Marschz, a spectacularly untalented actor turned equally untalented drama teacher at a high school there. Driven from a… Read More »
SECRET WORLD OF ARRIETTY, THE
Studio Ghibli has taken Mary Nortons classic novel, The Borrowers and made it uniquely its own, but its done so without losing what is best in Nortons story. The adaptation by Hayao Miyazaki and Keiko Niwa may have been transferred the action to Japan, but the basic elements of loneliness, friendship, and the fragility of… Read More »
BABY MAMA
There were many ways to go with the premise of BABY MAMA. Writer/director Michael McCullers chose the toughest route of all: gentle yet smart. The result is a pithy deconstruction of both the trendy and the traditional, with well-aimed swipes at everything from designer parenthood to the redneck in the blue collar. The problem starts… Read More »