THE EAGLE is a literate slog through Roman-occupied Britain. It’s a gritty, atmospheric experience where honor is the goal, and finding it takes some unexpected turns. Based on the novel of the same name by Rosemary Sutcliff, it starts with actual historical incidents, adds artistic license, and comes up with a metaphorical tale that speaks… Read More »
21 JUMP STREET
There is a palpable love for the original television series in 21 JUMP STREET. A love that encompasses both the premise and that premises lack of credibility. As in, a group of police officers going undercover in various high schools in to infiltrate the illegal doings there, and bring the perps to justice. It was… Read More »
10 YEARS
There is nothing unexpected in 10 YEARS, a tale of the eponymous high school reunion. Instead the emphasis is squarely on the similarly unsurprising cross-section of high school types, which is a risky proposition but one that pays off with a superior cast allowed to do what they each do best, and with writing that… Read More »
WHITE HOUSE DOWN
WHITE HOUSE DOWN is not a film of firsts. Its not the first film this year to depict an armed takeover of the eponymous building. And its not the first time that Roland Emmerich has destroyed it. He has, however, made it more fun than the other film, and only slightly more plausible than when… Read More »
22 JUMP STREET
Schmidt and Jenko are back, and we should all rejoice. 22 JUMP STREET starts out every bit as funny as 21 JUMP STREET was, and then keeps upping its game. Once more co-written by co-star Jonah Hill (Schmidt), it is an inspired bit of whip-smart silliness that refuses to take itself seriously. On the other… Read More »
SHE’S THE MAN
The only thing worth noting in SHE’S THE MAN, the latest vehicle for ‘tween idol Amanda Bynes, is how completely free of anything resembling competence that is exhibits. And yet is has the temerity to proudly proclaim in its opening credits that it was inspired by Shakespeare’s “Twelfth Night”. As for any actual similarity between… Read More »
STEP UP
STEP UP is a surprisingly wholesome bit of fluff with an amiably charismatic cast and a script that should be cited for violating the basic tenets of solid scriptwriting. Uneven, undecided, and rife with everything except aliens from space and a natural disaster, it’s further hobbled by cliches, bouts of stale dialogue, inadvisable turns into… Read More »