If there were special awards for truth in advertising when it comes to movie titles, GODZILLA VS. KONG would sweep them. Essentially, that is all there is to this extravagant spree of special effects and occasional camp. The plot, and there is a great deal of it, is completely subservient to upping the ante when… Read More »
CHAOS WALKING
CHAOS WALKING is a somber affair told in muddy earth tones and moribund action. Based on the book The Knife of Never Letting Go by Patrick Ness, it presents New World in the year 2257, a distant planet colonized by religious humans who have brought with them much of what they should have left back… Read More »
THE MIDNIGHT SKY
It feels right to have a film about the end of the world be a cold thing, literally and figuratively. And so it is with THE MIDNIGHT SKY, a story set three decades or so in the future is an uncertain blend of personal regret with planetary destruction. Set both in the arctic and in… Read More »
THE GRUDGE
As a culture, we are not unfamiliar with the concept of the cinematic reboot. Consider how many iterations of Batmans, Spider-men, and the Star Trek universe have arrived at our neighborhood theaters in the last decade. Not to mention the less than stellar attempt to revive the Fantastic Four, though, to be fair, the original… Read More »
THE NUN
The decline and fall of franchises is a phenomenon that is all too common, and yet still heartbreaking in its own way. For every James Bond or Star Wars, there are countless other series that started strong, usually with a film that was a one-off, the success of which led to studio bean-counters to push… Read More »
ALIEN: COVENANT
ALIEN COVENANT is a mixed bag. As a horror movie, it is unimpeachable, adding an extra self-refractive layer of pleasure to an audience that knows exactly what is lurking there in the giant deserted spaceship that our intrepid space colonists discover. As a vehicle for advancing the meta-story of the Alien franchise, it is far… Read More »
THE HATEFUL EIGHT
THE HATEFUL EIGHT is an impudent, pugnacious comedy that uses the synthetic nature of its stylized homage idiom to be a whip-smart consideration of race, gender, politics, situational ethics, and very, very bad teeth. The genre is the western, but the tone is thoroughly modern as a group of the damned journey through the desolate… Read More »