There is such a delicious and perfectly logical, surprise in SPIDER-MAN: NO WAY HOME, that it alone would be worth the investment of your time and your money to see it in a theater. Fortunately, there is so much more to enjoy as Peter Parker (Tom Holland) and those in his orbit face a future… Read More »
PATRIOT’S DAY
PATRIOT’S DAY is two films, one perfectly competent, the other one a skillful blend of character study and taut suspense. Perhaps this is why the studio’s rep in San Francisco scheduled and cancelled not one, but two, For Your Consideration screenings for critics groups last month). Based on the events leading up to, during, and… Read More »
THE ACCOUNTANT
THE ACCOUNTANT is a flabby, overlong film with an earnest mission to make us all think differently about autism, and also to give us the cheap thrill of seeing justice meted out to those slimy financiers who manipulate high finance to the detriment of the little guys at the bottom of that particular food chain.… Read More »
THE MEDDLER
(A version of this review first appeared in The New Fillmore) The complicated bond between mother and child has never had a better, a funnier, or a more heartwarming cinematic incarnation. Unconditional love and setting boundaries drive the comedy of THE MEDDLER. Written and directed by Loren Scafaria from her own experiences with an adoring… Read More »
KUNG FU PANDA 3
One of the things that makes Po, the eponymous hero of the animated Kung Fu Panda franchise, so endearing is that he doesn’t take his skills in stride. As voiced once again by the excitable gravel that is Jack Black’s speaking instrument, Po takes a childlike delight in being able to defy gravity and dispatch… Read More »
A Ho-Hum TERMINATOR GENISYS
Inflated and grandiose, TERMINATOR GENISYS rethinks the Terminator mythos by coming up the novel notion that changing the past might have more than the intended repercussions. Hence, when the John Conner (Jason Clarke, near left) in this timeline sends Kyle Reese (Jai Courtney, far left) back to 1984 Los Angeles to save John’s mother, Sarah (Emilia Clarke),… Read More »
FIRST SNOW
The theme of a man trying to outrun his fate is an old one. Laius tried getting around the prediction about being done in by his son, Oedipus, with less than stellar results. More recently, Puritans in colonial America worried themselves silly over predestination at the hands of an angry deity, while hedging their bets… Read More »