Christopher Nolan’s OPPENHEIMER demands that we consider the father of the atomic bomb’s life in context, the which he does with stunning clarity considering the paradoxes the film considers. Like the quantum world revealed by the new physics that Oppenheimer (Cillian Murphy) brought to the United States between the world wars, things can work even… Read More »
SILK ROAD
There is a wealth of confirmation to be found about many of our worst nightmares in SILK ROAD, a cautionary tale of stereotypes, specialization, and the consequences of absolute freedom. Based on an article by David Kushner in Rolling Stone, it charts the rise and fall of Ross Ulbricht (Nick Robinson), a 20-something idealist of… Read More »
ZERO DARK THIRTY
ZERO DARK THIRTY starts, tellingly, with a dark screen and audio clips from 9/11. Air traffic control chatter, 911 calls, and the anguished, astonished voices of people who have no frame of reference for what is happening to and around them. In doing so, the film compels the viewer to relive that day not with… Read More »
A Ho-Hum TERMINATOR GENISYS
Inflated and grandiose, TERMINATOR GENISYS rethinks the Terminator mythos by coming up the novel notion that changing the past might have more than the intended repercussions. Hence, when the John Conner (Jason Clarke, near left) in this timeline sends Kyle Reese (Jai Courtney, far left) back to 1984 Los Angeles to save John’s mother, Sarah (Emilia Clarke),… Read More »
THE BETTER ANGELS
No plaster saint, nor marble effigy of Abraham Lincoln is to be found in THE BETTER ANGELS. Based on the recollections of Lincoln’s surviving family, as spoken by his cousin about his boyhood in Indiana, this is a Lincoln before the legends had taken root, the Lincoln of great promise whose intellectual curiosity and love… Read More »