As lean and laconic as its director, Clint Eastwood’s SULLY is a gripping but (mostly) unsentimental retelling of how Captain Chesley “Sully” Sullenberger safely landed his stricken American Airlines plane in the Hudson River after suffering a bird strike on January 15, 2009. To the public, and the lives of the passengers he saved, he was… Read More »
HYDE PARK ON HUDSON
HYDE PARK ON HUDSON is an interesting rather than a compelling film. Based on the recently discovered diaries of Daisy Stuckley, it tells the behind-the-scenes tale of her affair with Franklin Delano Roosevelt (Bill Murray), her fourth for fifth cousin depending on how its counted, during the tumultuous summer of 1939. The Great Depression is… Read More »
THE FIFTH ESTATE
Julian Assange is certainly one of the most interesting public figures of out time, and certainly there could be no better choice to play this flawed, complex vessel in a narrative feature based on his adventures on the electronic frontier than Benedict Cumberbatch. Alternately, or perhaps simultaneously, narcissistic and idealistic, diligent and careless, impartial and… Read More »
THE LIFE OF DAVID GALE
THE LIFE OF DAVID GALE is a great idea for a movie. Unfortunately, its fine direction by Alan Parker and excellent acting from a cast headed by Kevin Spacey is undercut by a script that would, charitably, receive a C+ in Screenwriting 101 for Charles Randolph. How it made it to the big screen in… Read More »
LOVE, ACTUALLY
LOVE, ACTUALLY takes upon itself the daunting task of presenting to us love in all its manifestations. Theres the fairy tale, the tragedy, the farce, the friendships and the betrayals all rolled up into a set of interwoven tales that charm but never pander, giving us the bitter with the sweet, the whimsy with the… Read More »
KINSEY
KINSEY opens with the face of Peter Sarsgaard in close-up looking directly into the camera and asking questions of a sexual nature. An offscreen voice stops him when he uses a euphemism for a sexual act. No, says the voice that we will shortly learn is Kinseys, it wont work unless you are completely straightforward,… Read More »
THE EXORCISM OF EMILY ROSE
THE EXORCISM OF EMILY ROSE is overwhelmed with such an overweening sense of earnestness that one feels almost sinful for not being swept along with what its makers obviously consider a tale of great importance. The greater sin, though, is in taking a tale of exorcism, faith, and the law and not making it more… Read More »
BREACH
In a moment of supreme and unintentional irony, Robert Hanssen, the quarry in BREACH, tells his assistant, Eric O’Neill, who doesn’t know yet what his real assignment concerning Hanssen is, that he was never interested in making headlines, only history. Of course, they will shortly be making both, but neither of them is aware of that yet.… Read More »
THE NANNY DIARIES
THE NANNY DIARIES rises above its whiffenpoof premise of a middle-class anthropologist charting the strange and treacherous milieu of an unfamiliar culture and comes up with something that is almost but not quite substantial. The anthropologist in question is the eponymous nanny, and the culture is the Upper East Side New York society in which… Read More »
THE SAVAGES
There are so many remarkable things about Tamara Jenkins’ THE SAVAGES that it’s hard to know where to start. The masterful performances are a given by pros Laura Linney and Philip Seymour Hoffman as Jon and Wendy, siblings uncomfortable with the idea of family. There is also a subtly optimistic script about the end of… Read More »