Just because you >can< render an animated classic into a live-action CGI extravaganza doesn’t mean that you should. Case in point, PINOCCHIO. It’s not an awful film but bringing the animated characters into the real world doesn’t add anything to the story of a little wooden puppet who dreams of being a real boy. Rather,… Read More »
ANNA
There is in Luc Besson’s ANNA fully one-third of a very good movie. That third is a finely drawn satire, cartoonishly violent in its sublimation of female rage as it addresses female exploitation in the modern world using the milieus of espionage and modeling as the metaphor. The other two-thirds is a plodding retread of… Read More »
THE ALIENIST
Meticulous in its detail, and lush in its recreation of 19th-century New York City, TNT’s 10-part adaptation of Caleb Carr’s The Alienist is on a par with Martin Scorsese’s similar cinematic visits to that period in THE AGE OF INNOCENCE and GANGS OF NEW YORK. While those films separated the mighty and the downtrodden, THE… Read More »
HIGH-RISE
There is nothing subtle about HIGH-RISE, a savage allegorical satire of manic energy and pointed symbolism. Based on the novel of the same name by J.G. Ballard, it stars Tom Hiddleston as an urbane neurologist about to discover his place in the social order, and Jeremy Irons as The Architect (how Masonic?), the emotionally constipated… Read More »
THE RAVEN
RAVEN is a mess of a movie. An infuriating mix of amateurish writing and flowery antique speech; of sublime romance and hopeless pedantry; of atmospheric melancholy and risible smugness; of pointless melodrama and a movingly poignant performance by John Cusack as the damned soul, Edgar Allen Poe. The premise is Poe’s mysterious last few days… Read More »