One thing you can say about THE BATMAN without fear of contradiction is that there is a lot of it. Clocking in at three hours or so, it packs in enough plot for a trilogy, as though all concerned fretted that this might be their only shot at the rebooted DC franchise. Fear not, though.… Read More »
BLACK MASS
It is only the smallest of exaggerations to say that there are only two types of scenes in BLACK MASS. One is of James “Whitey” Bulger either having someone executed with a vicious precision, or doing the dastardly deed himself. The other is an assemblage of characters having an extended conversation about what has happened… Read More »
PAWN SACRIFICE
Chess has never been more compelling cinematically than in PAWN SACRIFICE. Whether you know nothing about the game, or you are a grand master, the story of Bobby Fischer’s rise to the world championship, and the toll it took on his already fragile psyche, has all the suspense and intrigue of an espionage thriller. That… Read More »
KNIGHT AND DAY
KNIGHT AND DAY is what a summer popcorn movie should be. Its big, its preposterous, and its a whole lot of fun. Boy meets girl. Boy behaves in socially inappropriate but oddly compelling ways involving guns and random acts of derring-do. Girl goes along for the ride, more or less willingly depending on where the… Read More »
GREEN LANTERN
For a film that is based on a super hero’s ability to make anything he thinks of materialize in green glowing splendor, THE GREEN LANTERN is a film that is unusually flat in execution and uninspired in conception. It’s also painfully disjointed, as though there were a much longer, even more disappointing flick from which… Read More »
GARDEN STATE
Only rarely does a film as profound, as rich, and as deeply affecting as GARDEN STATE come along. Even more rarely is it the handiwork of a first-time filmmaker. That would be Zack Braff, known for his role as the philosophically harried intern on the subversively wicked comedy, Scrubs. Braff is Andrew Largeman, a struggling… Read More »
KINSEY
KINSEY opens with the face of Peter Sarsgaard in close-up looking directly into the camera and asking questions of a sexual nature. An offscreen voice stops him when he uses a euphemism for a sexual act. No, says the voice that we will shortly learn is Kinseys, it wont work unless you are completely straightforward,… Read More »
JARHEAD
The history of the military film has had several notable eras, from the melancholy of THE BIG PARADE (featuring the divine John Gilbert in arguably his best role) from the post WWI, silent era, to the jingoistic excesses during and just after WWII with such offerings as an iconic John Wayne THE FLYING LEATHERNECKS, followed… Read More »