With DR. STRANGE IN THE MULITVERSE OF MADNESS, we are gifted with a thimbleful of plot in a vast expanse of cinematic ocean. This being yet another piece of the equally vast Marvel Universe, the story is obliged to take its hero, Stephen Strange (Benedict Cumberbatch), from Point A to Point B in order to… Read More »
DOCTOR STRANGE
DOCTOR STRANGE you ask? Let me sum up the latest cinematic offering from Marvel Comics in one word: spectacular. From a whiz-bang opening sequence where space folds in on itself as combatants hurl magical fire at on another, to the charismatic, ahem, marvel that is Benedict Cumberbatch in the title role, this action film is… Read More »
EVERY THING WILL BE FINE
Tragedy is complicated. Guilt and anger, acceptance and forgiveness don’t fall into neat pigeonholes in Wim Wender’s EVERY THING WILL BE FINE, a title that is what everyone aspires to in this small but powerful tale of searching for redemption. The central character is Tomas (James Franco), a good writer with a middling career and… Read More »
SPOTLIGHT
SPOTLIGHT does more than dissect the passions at work in the investigative news process. As riveting as the specifics are of how The Boston Globe’s special investigative team chased down the sex-abuse scandal in the Catholic Church, it’s the larger question, that of how wide-spread sexual abuse of children by priests could have flourished for… Read More »
ALOHA
ALOHA is a glorious, unkempt disaster of a film. Individual elements are ambitious, even praiseworthy, but the narrative arc of this comedy-drama about Hawaiian legends, the privatization of space, and a hunky guy with commitment issues falls apart almost as soon as the whirl-a-gig ride begins. Credit where it’s due, though, writer-director Cameron Crowe is… Read More »
MORNING GLORY
MORNING GLORY is an uneven concretion of at least three different films each existing in a universe mutually exclusive of the others that have, nonetheless, somehow found a way to meet, merge, and form a whole that is geometrically smaller than the sum of it parts. And this is a shame, because at least one… Read More »
MIDNIGHT IN PARIS
The only real misstep in Woody Allens MIDNIGHT IN PARIS is, unfortunately, in the opening montage that shows the City of Lights progressing from morning to evening. While there is no denying that this is a city of seemingly limitless picturesque vistas that range from the familiar to the novel, Allen is entranced by too… Read More »
A MOST WANTED MAN
A MOST WANTED MAN evokes the best of the Cold War thrillers of the 1960s. Hardly a surprise, considering its based on a novel by the master of that genre, John le Carre. Directed with that genres same sense of understated, but lethal, suspense borne of uncertainty by Anton Corbijn it updates the action from… Read More »
MEAN GIRLS
Much has been made of late about the culture of adolescent girls, as in, the viciousness to the pecking order of the cool girls and the ones that will do anything to become one of them. Tina Fey, the first female head writer of Saturday Night Live has mined that territory, one that seems rife… Read More »