Braids, French and other, loom large in the visuals of BLACK WIDOW, and it is an apt metaphor. The ultra-femininity of long, flowing hair rigorously trained into orderly rows of tightly disciplined tresses echoes the rigorous training given to ultra-feminine assassin-turned-Avenger Natasha Romanoff, the eponymous super-heroine in this her first spinoff from the Marvel Universe.… Read More »
DENIAL
DENIAL is a lean, literate, and emotionally devastating film. It’s based on the true story of Emory history professor Deborah E. Lipstadt’s (Rachel Weisz) legal battle in the British courts to prove that the Holocaust had actually taken place and was not, as asserted by Holocaust deniers, a construct invented by world Jewry as part… Read More »
THE BROTHERS BLOOM
The successful con is the one where everyone gets what they want. Its a statement that is profound in its simplicity. The same is true of THE BROTHERS BLOOM, where the premise is postulated and then proven with a deceptively simple plot that hides in plain sight. The brothers in question are Stephen (Mark Ruffalo)… Read More »
LOVELY BONES, THE
THE LOVELY BONES, based on the novel of the same name by Alice Sebold, is a somber tale told with vivid imagination about coping with death from both sides of the eternal divide. It’s very much a film of mood where emotions run deep and devastating, and those emotions are the most potent special effect… Read More »
DREAM HOUSE
There are fine moments in DREAM HOUSE, but not enough so that the easily parsed story and oddly soporific direction fail to become insurmountable hurdles. Daniel Craig, Naomi Watts, and Rachel Weisz give performances that are visceral without being obvious, performances that amplify the sense of foreboding and suspense that should be coming from the… Read More »
OZ THE GREAT AND POWERFUL
It is a bold move to revisit a classic film, even if it is to make a prequel to it. Particularly when the studio involved, Disney, had tried, and failed, once before to produce the WIZARD OF OZ. That was in the early part of the last century, before MGM got hold of it in… Read More »
THE SHAPE OF THINGS
Neil LaBute starts his latest film, THE SHAPE OF THINGS, off with a sly dig at what the story is going to be about. His stars are not given character names in the credits, they’re listed as “actress” or “actor” in much the same way that credits traditionally list “director” or “writer”, both of which… Read More »
CONDFIDENCE
Like many great noirs, CONFIDENCE is told in flashback, narrated, as is also a convention of the genre, by a corpse. How he came to be lying in a gutter with several slugs in him makes for an intricately plotted little tale of crosses, double-crosses, and cons that you wont see coming. As you watching… Read More »
RUNAWAY JURY
With RUNAWAY JURY we are deep into classic Grisham territory. Based on his novel of the same name, it pits evil big business against an idealistic do-gooder with the moral lines firmly drawn. The bad guys are the gun manufacturers and their creature, Rankin Fitch (Gene Hackman), a whiz of a jury consultant whose… Read More »
CONSTANTINE
I can see where CONSTANTINE, based on the graphic novel Hellblazer, might have seemed like a good idea for a movie. Good versus evil on a cosmic scale, special effects whipping across the screen with a wild abandon not unlike the whirlwind to be found in the second circle of Hell, and a cynical anti-hero… Read More »