It’s the moment when Elvis (Austin Butler) first asserts his independence from the tentacled hold that his manager, Col. Tom Parker (Tom Hanks) has, and, alas, will always have on him. Elvis at this point in his nascent career has been labeled a threat to the American way of life in the conformist 1950s onto… Read More »
HACKSAW RIDGE
Mel Gibson’s HACKSAW RIDGE begins with a quiet shot looking down (from heaven?) on corpses. They are horrific, with bits missing and gore everywhere. It’s a moment that will quickly give way to the battle of Okinawa that made them. Bodies ripped by bullets falling to the ground, others engulfed in flames running in panic.… Read More »
SANCTUM
James Cameron neither wrote nor directed SANCTUM, but his fingerprints as the executive producer of same are all over it. Visually, it’s an exhilarating experience. As for the storytelling, the word lugubrious comes to mind. The writing is stiff and ridden with clichés, with cheese-ish motifs overwhelmed by swelling, overwrought music cues that forge straight… Read More »
VAN HELSING
VAN HELSING is a film that does not do things by halves. One might, in principle, admire the way it pulls out all the stops early on, but the results, a hemorrhaging husk that eventually dissolves into the same sort of dust as the staked vampires that people its running time, prevents admiring it in… Read More »