There is so much to admire about Julio Torres’s PROBLEMISTA, from its magnificent manifestations of metaphor to its tweaking of subjective norms and random exploitation in a provocative satire as dark as night, but as hopeful as a buoyant full moon. The one that reigns supreme, though, is what Torres has done with the desperate,… Read More »
THE KILLER
David Fincher’s THE KILLER is as methodical as its protagonist, the philosophizing hit man in the midst of pickle that challenges his core nihilistic belief system in which karma doesn’t figure, nor does luck. The irony may be lost on this unnamed protagonist, but not on us as we are treated to a cavalcade of… Read More »
ASTEROID CITY
Wes Anderson’s ASTEROID CITY presents us a dream within a dream as it ponders our place in the cosmos by setting its story in three separate realities that bump into each other the way subatomic particles swarm around an atomic nucleus. Is it synchronicity or chance or some other cosmic law of which humanity is… Read More »
THE PERSONAL HISTORY OF DAVID COPPERFIELD
Armando Iannucci, a man possessing a preternatural gift for telling serious stories with a puckish twist, has taken on the classic Dickens tale of David Copperfield, and infused it with sparkling new life while remaining true to the original’s spirit. After all, despite his sometimes cloying sentimentality, Dickens spared his readers nothing when describing the… Read More »
THE DEAD DON’T DIE
THE DEAD DON’T DIE takes the tropes, idioms, and beloved foibles of low-budget zombie flicks and, with a skillful flick of its auteur’s cinematic wrist, recontextualizes them into a stylized gloss on the new normal of 2019. Certainly the “Make America White Again” ball cap sported by the most reviled citizen (Steve Buscemi) of sleepy… Read More »
AVENGERS: ENDGAME
The stakes have been raised so many times with event flicks that, when approaching one, hope is always tempered with experience about what to expect, to paraphrase Samuel Johnson. With AVENGERS: ENDGAME, though, hope wins out. The spectacle is everything it should be, and the story, of necessity a meandering thing, is nonetheless sustained by… Read More »
DOCTOR STRANGE
DOCTOR STRANGE you ask? Let me sum up the latest cinematic offering from Marvel Comics in one word: spectacular. From a whiz-bang opening sequence where space folds in on itself as combatants hurl magical fire at on another, to the charismatic, ahem, marvel that is Benedict Cumberbatch in the title role, this action film is… Read More »
HAIL, CAESAR!
If Douglas Sirk had directed a film noir written by Billy Wilder, it might have looked something like HAIL, CAESAR!, the latest thoughtful tangle of philosophy and whimsy from the Coen Brothers. Taking place in a 1951 Hollywood not entirely unlike the one that actually existed, it mixes Cold War paranoia, carefully managed studio PR… Read More »
Amy Schumer is No TRAINWRECK
Turning gender roles neatly on their heads, Amy Schumer has created a screwball comedy of considerable substance. Taking sure aim at the abomination of the formula rom-com, she satirizes not just the genre, but the state of contemporary single-hood. Starring in a script of her own devising, she is fearless, relentless, and completely unapologetic as the titular hot mess, also named Amy, with commitment issues and a healthy libido.
TEKNOLUST
One of my favorite lines in Lyne Hershman-Leeson’s TEKNOLUST concerns the side effects of knowledge. They’re dangerous because they’re unpredictable. Once you learn something, paradigms shift, assumptions evaporate, and you’re forced to look at the world in a whole new way and maybe even re-think your whole life. Scary stuff. The film ponders the nature… Read More »