UNCHARTED is like the first pitch meeting to potential financiers, which is odd since it’s been in development for almost a decade. What we have here is the broad outline of a plot full of twists, turns, and aerial stunts. What we don’t have is any sense of order or logic, even that of the… Read More »
SPIDER-MAN: NO WAY HOME
There is such a delicious and perfectly logical, surprise in SPIDER-MAN: NO WAY HOME, that it alone would be worth the investment of your time and your money to see it in a theater. Fortunately, there is so much more to enjoy as Peter Parker (Tom Holland) and those in his orbit face a future… Read More »
CHAOS WALKING
CHAOS WALKING is a somber affair told in muddy earth tones and moribund action. Based on the book The Knife of Never Letting Go by Patrick Ness, it presents New World in the year 2257, a distant planet colonized by religious humans who have brought with them much of what they should have left back… Read More »
THE CURRENT WAR: THE DIRECTOR’S CUT
THE CURRENT WAR: THE DIRECTOR’S CUT is an elegantly realized intellectual thriller which considers not only the eternal struggle between art and commerce, but also the effect of personalities on inventing the future. In this case, three visionaries, Thomas Edison, George Westinghouse, and Nikola Tesla. Each with a particular kind of genius, each with idiosyncrasies… Read More »
SPIDERMAN: FAR FROM HOME
We learn many things in SPIDERMAN FAR FROM HOME. We learn that not only are the Dutch polyglots, but also that they are the nicest people on earth, even when a private jet is making hash of their iconic tulip fields. We learn that saving the planet is just as important as getting that first… Read More »
AVENGERS: ENDGAME
The stakes have been raised so many times with event flicks that, when approaching one, hope is always tempered with experience about what to expect, to paraphrase Samuel Johnson. With AVENGERS: ENDGAME, though, hope wins out. The spectacle is everything it should be, and the story, of necessity a meandering thing, is nonetheless sustained by… Read More »
AVENGERS: INFINITY WAR
For sheer value-for-money, you can’t top AVENGERS: INFINITY WAR. It’s pure entertainment with an endless parade of the kind of whiz-bang special effects, not quite sloppy sentiment, and a constant barrage of the quips and banter that define grace under pressure in the Marvel Universe. Plus, pretty much everyone from the MCU finds his or… Read More »
PILGRIMAGE
PILGRIMAGE tells a dour tale of faith and fanaticism. Set in 13th-century Ireland, it blends mysticism with realpolitik in a time and place so distant from ours that a subtext of imperialism might be almost too subtle, while the vicious commonplaces of summary justice, revenge, and casual violence are all too vivid A prologue set… Read More »
SPIDER-MAN: HOMECOMING
Leaving aside what might otherwise be a richly nuanced discussion of why we need another Spider-man reboot so soon, it is with delight and relief that I report its success. Tom Holland takes on the red spandex and the ironic wisecracks as Peter Parker, the brilliant high-school kid whose bite from a radioactive spider has… Read More »
THE LOST CITY OF Z
THE LOST CITY OF Z opens in the darkness of the jungle. Natives stand in silhouette outlined against fires burning in warning or in welcome. It’s a fitting start to James Gray’s suitably literate adaptation of David Grann’s book of the same name, telling the true story of the obsessions that drove British Major Percy… Read More »