I don’t know that I subscribe to the idea that there are some works of prose that are “unfilmable.” This is not to say that a successsful translation from one art form to another doesn’t require a certain amount of compromise around the source material. Prose, while relying on the eyes in order to absorb… Read More »
THE ADDAMS FAMILY 2
There are many words that spring to mind when viewing THE ADDAMS FAMILY 2, and few of them are laudatory. The twisted humor of Charles Addams’ original cartoon, or of the cult-classic of the 60s television series, or of the previous incarnation of the franchise are little in evidence in this dreary exercise in, of… Read More »
CANDYMAN
CANDYMAN wants to do more than creep you out with mere gore. To that end, this sequel to the original does more than ignore the three subsequent films in that previous franchise, though it does, like those other films, drench the screen in blood from time to time. Here, though, the true horror that it… Read More »
SPIRAL: FROM THE BOOK OF SAW
Chris Rock is a man of enormous talent, enough money to do whatever he wants professionally, and the clout to do so. This is why we have the puckishly trenchant documentary about race and beauty standards, GOOD HAIR, and the long-running television series, Everybody Hates Chris. Alas, it’s also why, as star and one of… Read More »
FRENCH EXIT
FRENCH EXIT is a deft comedy that is low key but also pointed and deeply affecting, despite concerning itself with the trials and tribulations of a woman who has raised superficiality and self-absorption to a high art.
GODZILLA VS. KONG
If there were special awards for truth in advertising when it comes to movie titles, GODZILLA VS. KONG would sweep them. Essentially, that is all there is to this extravagant spree of special effects and occasional camp. The plot, and there is a great deal of it, is completely subservient to upping the ante when… Read More »
CHAOS WALKING
CHAOS WALKING is a somber affair told in muddy earth tones and moribund action. Based on the book The Knife of Never Letting Go by Patrick Ness, it presents New World in the year 2257, a distant planet colonized by religious humans who have brought with them much of what they should have left back… Read More »
THE TWENTIETH CENTURY
It’s possible that a working knowledge of Canadian culture and politics might annotate the sheer joy of watching Matthew Rankin’s THE TWENTIETH CENTURY, but a lack of same in no way diminishes it. This rapturously surreal romp through fascism, propaganda, and the perils of love delights in its arch embrace of retro-futuristic artifice and vintage… Read More »
THE WAY I SEE IT
The canny undercurrent of Dawn Porter’s documentary THE WAY I SEE IT, about White House photographer Pete Souza, is a consideration of the free press in an era when “fake news” has become a catch phrase for those who see journalists as the enemy of the people. It’s equally canny in the way it contrasts… Read More »
MULAN
There are several volumes of sophisticated feminist theory at work in the live-action version of MULAN, but, trust me, they are wholly in the service of a first-rate action-adventure film that puts characters ahead of spectacle. Director Niki Caro has created a film that is intense, compelling, and entirely entertaining, while Liu Yifei as the… Read More »