It is only the smallest of exaggerations to say that there are only two types of scenes in BLACK MASS. One is of James “Whitey” Bulger either having someone executed with a vicious precision, or doing the dastardly deed himself. The other is an assemblage of characters having an extended conversation about what has happened… Read More »
SPECTRE
There are very specific things we want in a James Bond film. Great action, dastardly villains who are larger than life and twice as buggy, and Bond girls who have evolved over the years to be a bit more than merely a pulchritudinous interlude. In Bond, as incarnated by Daniel Craig, we want a steely… Read More »
Dreary DARK PLACES
DARK PLACES is awash with dark moodiness as it tells a raggedy story that suffers from a failure of to find a narrative structure as strong or as compelling as the performance of his star, Charlize Theron. Based on the novel by Gillian Flynn, on whose novel of the same name GONE GIRL was based,… Read More »
SHAUN THE SHEEP MOVIE
Four decades ago there was a Monty Python sketch in which Graham Chapman and Terry Jones discussed why a flock of off-screen sheep were hopping about on their back legs, attempting (badly) to fly, and doing something in trees that appeared to be nesting. It appeared that they had been led to believe that they… Read More »
Welcome to JIMMY’S HALL
Ken Loach has never been a filmmaker to shy away from politics. In fact, a case could be made that the reason he makes films is to explore politics, the which he has done with such strident films as BREAD AND ROSES (union organizing in contemporary Los Angeles) and LAND AND FREEDOM (the Spanish Civil… Read More »
A LITTLE CHAOS — A Little Too Little
A LITTLE CHAOS, not to be too precious about it, could have used a little more actual chaos. This handsomely executed historical drama is by turns ponderous and interesting, but interesting in a removed, unengaged fashion that renders the whole far less than the sum of its parts. Directed by co-star and co-writer Alan Rickman,… Read More »
EFFIE GRAY is Worth Knowing
On her first night as a wife, the title character of EFFIE GRAY is disconcerted to see her husband spirited away to his bath after his long trip from Scotland by his mother. Later, at dinner, said mother all but tosses a gift to Effie telling her she might as well have it, since she… Read More »
How to Wield A CANDLESTICK
It takes a great deal of moxie to begin a film by referencing Hitchcock in both title sequence and score, but director/co-writer Christopher Presswell’s CANDLESTICK does just that, and then, with an impudent wink at the audience, does a more than credible job of making good on its promise. An intelligently crafted plot, driven by… Read More »
Just Try to Resist PADDINGTON
There is a certain trepidation that accompanies any screening of a film released in January. This is the graveyard of films that failed to meet studio expectations, but that for some reason or another, are due a theatrical release. There is even more trepidation when the film is one aimed at children. How bad, one… Read More »
EXODUS: GODS AND KINGS and Missing the Mark
Lovely to look at with some fine performances in a muddled execution.
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