The best thing I can say about HUNTER KILLER is that is it forgettable. This putative thriller of geopolitics and military bonding blows things up, sinks submarines, parachutes stoic guys through a thunderstorm, and fires endless automatic weapons, but when it’s all over, not much sticks beyond a nicely timed wrench catch, and the fortuitous… Read More »
THE BOOKSHOP
Florence Green, the widowed heroine of THE BOOKSHOP, is a woman of patience, determination, and kindness. Qualities that would stand anyone in good stead, they are enough to get her dream of opening the eponymous entity in this evocative adaptation of the Penelope Fitzgerald’s novel. Whether they will be enough to keep it going in… Read More »
THREE IDENTICAL STRANGERS
As the documentary THREE IDENTICAL STRANGERS opens, Bobby Shafran, one of the eponymous strangers, notes that the story he’s about to tell is unbelievable. And it is. But the way that Tim Wardle’s dark meditation on good intentions gone very wrong unfolds, the story of how the three identical triplets separated at birth found each other at the age of 19, is the least of it.
AMERICAN ANIMALS
Click here to listen to the interview with Bart Layton. At a pivotal moment in Bart Layton’s emotionally charged AMERICAN ANIMALS, a character looks out of the car in which he is riding and sees the real person on whom he is based staring back at him as the car glides by. It’s not a… Read More »
THE PARTY
It begins with Kristen Scott-Thomas, in stark black-and-white, answering her door, hair askew, elegance frayed, eyes wild. She points a handgun right at the camera.
EARLY MAN
Click here for the KMR interview with director/co-writer Nick Park. The filmmakers at Aardman have carved out for their studio a specific niche among animated films. Theirs is a humor that is sly, unafraid of a pun, and equally fearless in its embrace of the silly for the sake of silliness. It is a universe… Read More »
THE COMMUTER
It’s all about what you want from a Liam Neeson action flick. That and managing expectations. Will it be great art? Probably not. Will it be fun? Maybe. In this case, it is. In THE COMMUTER, Neeson is an ordinary ex-cop turned insurance salesman named Mike, living paycheck to paycheck with his beloved wife (Elizabeth… Read More »
JUSTICE LEAGUE
JUSTICE LEAGUE is a film with many problems. Some are inherent in an origin-style story that introduces several characters to what the filmmakers hope will be an audience eager to follow their further, individual, adventures. Some are just inexplicable. Take the plot device that is nothing short of asinine, and which I can’t discuss without… Read More »
THE MAN WHO INVENTED CHRISTMAS
In an era when Christmas, or at the least the merchandising for it, begins sometime in late August, there is a certain charm in THE MAN WHO INVENTED CHRISTMAS, which looks back to a time when it barely registered as a blip on the cultural radar. And the the to origins of the story that… Read More »
SUBURBICON
Chekov’s three sisters had their dream of a perfect life in Moscow. The increasingly desperate and frazzled denizens of SUBURBICON have Aruba, a place where the food is exotic, the golf is for couples, and the long arm of the law cannot reach them. Alas, this deliciously stylized evocation of the dark side of the… Read More »
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