There is a persistent torpor to REMINISCENCE, a film that tries to be many things and fails for the most part. Rife with visuals that evoke a disquieting dreamlike state, the story, an ersatz neo-noir set mostly between sunset and sunrise, drones along with the cinematic equivalent of a mosquito’s interminable buzz on a humid… Read More »
CRYPTOZOO
CRYPTOZOO is a touching throwback to the animated films of the late 60s and early 70s in both style and in substance. Set in that time frame, it is full of idealism about the possibilities of human society and wonder at the natural world, while also tempered with poignant cynicism about both. Writer/director Dash Shaw… Read More »
THE WAY I SEE IT
The canny undercurrent of Dawn Porter’s documentary THE WAY I SEE IT, about White House photographer Pete Souza, is a consideration of the free press in an era when “fake news” has become a catch phrase for those who see journalists as the enemy of the people. It’s equally canny in the way it contrasts… Read More »
SHALL WE DANCE?
The word that most comes to mind when thinking about the Hollywood remake of the thoroughly delightful Japanese film, SHALL WE DANCE, is irksome, followed by tedious, pallid, and pointless. The cultural nuances of the original have been, of course, lost entirely, and in their stead is the sort of deep insight into the human… Read More »