TEAM AMERICA: WORLD POLICE is a scatter shot film that forces one to ponder who, exactly, the target audience is. Ten-year-olds whose potty training went badly? Others whose emotional and intellectual development was arrested for that or any of a multitude of other reasons? Ultimately the only certainty is that this flick is yet another… Read More »
SAW
There is one glaring, not to mention, annoying faux pas in Leigh Wannell and James Wanns otherwise promising feature film debut, SAW. Its a testament to all that comes before and after that it doesn’t to sink this otherwise effective work. This is a horror flick that has more than a soupcon of gore, but… Read More »
THE GRUDGE
THE GRUDGE is that annoying blend of genuine scares and really, really dumb people. Sure, in order for most horror films to work, the principals have to be of the less than Einstein variety, lest they run screaming from the nasty whatever and end the proceedings in reel one. One, therefore, makes allowances, but suspension… Read More »
RAY
Taylor Hackford’s RAY does what the best of biopics should do, tell not just who someone is, or what someone has done, but the why behind it all, in this case Ray Charles. Based on his decades of knowing the man himself, Hackford takes facts and mixes them with a healthy dose of poetic license… Read More »
THE INCREDIBLES
Ive been looking forward to THE INCREDIBLES ever since I saw the superbly antic trailer for it that accompanied FINDING NEMO. Thats what makes the experience of having seen it last all the more deflating. Despite first-rate CGI animation and some clever atomic 50s-style art direction, THE INCREDIBLES commits the worst cinematic sin of all,… Read More »
THE POLAR EXPRESS
THE POLAR EXPRESS isnt just an astonishing achievement in animation, its also a rich feast for the eye, the mind, and even the spirit. It’s a glorious evocation of that most fragile, most beautiful aspect of the innocence of early life, the childlike wonder and whole-hearted ability to be swept away by magic. Im sure… Read More »
BARTLEBY
Brought to the screen in a manner as stylized as its chartreuse and orange color scheme, BARTLEBY updates Herman Melvilles tale of non-conformity in a dead-end 19th-century office job, Bartleby the Scrivener, to the oppressive world of the 20th-century dead-end office job. That would be a public records office run by newly appointed Boss, David… Read More »
ALFIE
The thing about Jude Law is that he is so unbelievably beautiful. Such is his pulchritude, not to mention his irresistible onscreen charm, that its easy to overlook the undeniable acting chops that are greater even than the sum of his more ephemeral gifts. In ALFIE, Charles Shyer’s re-make of the 60s classic that starred… Read More »
KINSEY
KINSEY opens with the face of Peter Sarsgaard in close-up looking directly into the camera and asking questions of a sexual nature. An offscreen voice stops him when he uses a euphemism for a sexual act. No, says the voice that we will shortly learn is Kinseys, it wont work unless you are completely straightforward,… Read More »
NATIONAL TREASURE
There are many things that an action-adventure flick should be and NATIONAL TREASURE manages to not be most of them. For over two hours, there are car chases, shoot-outs, snarling bad guys, a snarky side-kick, and, because this is the typically overproduced Jerry Bruckheimer effort, explosions, the first a restrained 15 minutes into the proceedings.… Read More »
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