Despite nocturnal scrapings, shufflings, general bumpings in the night, not to mention several rounds of people getting smacked around by unseen hands, AN AMERICAN HAUNTING is just a whole lot of nothing going on. Not wanting to leave well enough or, rather, creepy enough, alone, the filmmakers have taken a fairly well-documented and completely unexplained… Read More »
POSEIDON
POSEIDON so whole-heartedly embraces its essential inanity that it’s very, very hard to dislike it. Though boasting a big budget and some spiffy special effects, its goal is a modest one: kill 99 minutes with some whiz-bang escapes and the chance to watch actors get paid a great deal of money to hold their breath… Read More »
ART SCHOOL CONFIDENTIAL
Most people get that slap upside of the head called reality when they leave school. For Jerome Platz (Max Minghella), it’s when he starts school, art school, that is, Strathmore Institute, to be precise, the art school of his dreams and the venue for Terry Zwigoff’s ART SCHOOL CONFIDENTIAL, based on the comic book of… Read More »
MUNICH — DVD
There is no commentary track on the DVD release of MUNICH. There is, instead, an introduction by Steven Spielberg, which is more a making-of piece than a talking head, though there is that, too. He talks about Vengance by George Jonas, the book on which he based his film, the only credible account of what… Read More »
THE DA VINCI CODE
The book by Dan Brown on which THE DA VINCI CODE is based will never be mistaken for a work of genius. It is not a work for the ages, but rather fills the guilty pleasure niche in the literary food chain. It’s a fast read with an intriguing premise where a great deal happens… Read More »
SKETCHES OF FRANK GEHRY
The irresistible thing about SKETCHES OF FRANK GEHRY is how it takes the mystery of original vision and workings of the imagination behind it, effervescent and ineffable qualities, and translates them successfully into the confines of a documentary. That is not the only reason to see Sydney Pollack’s first crack at a documentary, but it… Read More »
X-MEN: THE LAST STAND
Oh how the mighty have fallen. X-MEN: THE LAST STAND is the third installment in what until now has been a sterling franchise and its failings are an affront to what has come before. To be sure, the fine philosophical underpinnings, one of the series’ hallmarks, are still there, but with a new director, Brett… Read More »
THE OMEN
Liev Schreiber co-starred in one of the few remakes that worked, THE MANCHURIAN CANDIDATE. It was that remake, in fact, that restored my faith in the concept of re-visting a classic film. Alas, Mr. Schreiber’s latest adventure in remakes, THE OMEN, is much less successful. There are no new insights, no shift in perspective that breathes… Read More »
CARS
CARS isn’t just a great animated flick, it’s a great movie that’s not just a, you’ll pardon the expression, character-driven story, but also an irresistible paean to life in the slow lane. The jaw-droppingly detailed and inventive animation takes second place to the dialogue, which, along with the 116-minute running time, might make this less… Read More »
THE LAKE HOUSE
It’s not that THE LAKE HOUSE, based on the Korean film SIWORE, is an insipid bit of romantic fluff, it’s just that it drags by much like the two-year gulf between our chronologically crossed would-be lovers. And when a film is 108 minutes long, that’s not a good thing. Never mind that its own internal logic starts to… Read More »
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