A chance meeting between two strangers (Helena Bonham Carter, pretty in pink, and Aaron Eckhart, suave in a tux) at a wedding reception in New York City starts the action in CONVERSATIONS WITH OTHER WOMEN, a slippery delight with as much tension as a standard thriller, but the smarts of a literate drama, both of which… Read More »
THE ILLUSIONIST
Click here to listen to the interview with Neil Burger (15:34). A man in shirtsleeves sitting in intense concentration on a bare stage. The audience watching in rapt silence. Police lining the aisles ready to act. Thus begins THE ILLUSIONIST, a tale of sleight-of-hand, misdirection, and magic in many senses of the word. The only… Read More »
IDLEWILD
IDELWILD starts with a bang, splashing across the screen with a raucous exuberance full of sass, attitude, and an irreverent visual sense that enhances the edginess to the life the protagonists have chosen. If it weren’t for a love story that plops itself in the middle of it, this would have been a classic. As… Read More »
HOLLYWOODLAND
HOLLYWOODLAND deals with the death of George Reeves, television’s Superman and the idol of millions of kids who were devastated by not just his passing, but that it was reported to have been suicide. It was during a party at his house, when he went upstairs and was later found with a bullet through his… Read More »
GRIDIRON GANG
Before seeing GRIDIRON GANG, I would have said that given the right sort of role, one with action, a greater or lesser dash of comedy, and no stretching of a thespian nature, that Dwayne “The Rock” Johnson is a fine screen presence but not much more. I have been proved wrong. There’s humor and a… Read More »
THE BLACK DAHLIA
There are so many missteps in Brian De Palma’s THE BLACK DAHLIA that one hardly knows where to start. Perhaps the best place is with the adaptation of James Ellroy’s novel of the same name. The book is a rich and vibrant work that provides too much fodder for a two-hour film to capture. Instead… Read More »
JESUS CAMP
The compassionate god of love so evident in the Sermon on the Mount is nowhere to be found in the documentary JESUS CAMP. It’s a frank, troubling, and cautionary examination of how fundamentalist Christianity closes the minds of its children while indoctrinating them in a belief system of intolerance, bigotry, and hate, all in the name… Read More »
THE DEPARTED
With THE DEPARTED, Martin Scorsese has taken a good film, the Hong Kong minor classic INFERNAL AFFAIRS, and remade it into a movie that is as bloated as it is bland. Gone is the dramatic tension of a slick action flick, gone is the suspenseful psychological subtext that pondered the nature of identity, subsumed into… Read More »
THE SCHOOL FOR SCOUNDRELS
Based on the 1960 film THE SCHOOL FOR SCOUNDRESL OF HOW TO WIN WITHOUT ACTUALLY CHEATING!, which was, in turn, very loosely based on the 18th century play by Richard Brinsley Sheridan, THE SCHOOL FOR SCOUNDRELS never deviates for a moment from the textbook arc for tales such as these. Loser at life, love, and… Read More »
MARIE ANTOINETTE
The first image in Sofia Coppola’s latest film is of title character, MARIE ANTOINETTE, having a slipper put on her dainty foot by a servant as she dips her finger into the neon-pink icing of a multi-layer cake. She licks her finger, and then turns to look directly into the camera with a wink and… Read More »
- « Previous Page
- 1
- …
- 124
- 125
- 126
- 127
- 128
- …
- 147
- Next Page »