When the question “Was that supposed to be a comedy”? floats to mind after a film is concluded, there is no answer that bodes well for said flick. Such is the case with THERE WILL BE BLOOD, Paul Thomas Anderson’s robust, and fitfully manic piece of work that takes Upton Sinclair’s classic novel, “Oil,” and… Read More »
PROTAGONIST
When Jessica Yu was offered financing to make a documentary about the ancient Greek playwright Euripides, she pondered the limitations of creating a biography about someone when the source material about his day-to-day life was thin at best. Instead, she came up with the radical idea to make a film about why his work still… Read More »
THE PIXAR STORY
There is nothing short of a giddy delight in watching the fine folks who founded PIXAR living out their dreams in ways much larger than even they could ever have imagined. It covers all the usual ups and downs of any show biz story, but PIXAR is not just any show biz entity, and the… Read More »
CLOVERFIELD
CLOVERFIELD is brought to you by many of the folks who bring us television’s “Lost”, which is a series not known for being either obvious or direct. The same can be said of their film, which offers a refreshing update on the classic genre of a big monster stomping a major metropolitan city into dust… Read More »
27 DRESSES
27 DRESSES begins as a harmless little romp. It coasts along with a comfortable sort of premise, which lacks originality, but does have the fumbling effervescence of Katherine Heigl as its star. What starts out unremarkably quickly loses its way with writing that falters, dialogue that babbles, and a point of view that vacillates about… Read More »
ONE HOUR PHOTO
Its not a terribly original premise. Lonely guy longs for the warmth and comfort of a family and becomes attached to what he considers to be the ideal set up. Still, obsession can be tantalizing fodder for film when handled correctly, which in the case of ONE HOUR PHOTO, its not. It has all the excitement,… Read More »
MICHAEL CLAYTON
MICHAEL CLAYTON begins with a monologue by Arthur Edens (Tom Wilkinson), a brilliant but unhinged litigator who has spent too much of his life defending the indefensible. In it, beautifully encapsulated, is the heart of the film, which is to say, that it’s only a madman who has the clarity of vision to do the… Read More »
THE EYE
THE EYE, released without a press screening, is a tidy enough little supernatural thriller. A soupcon light on the thrills part it may be, but it makes up for it with a nicely rendered eeriness that pays appropriate homage to the Pang Brothers flick of the same name on which it is based. One can… Read More »
DIARY OF THE DEAD
Some artists work in oils, some artists work in marble, George A. Romero works in zombies. With DIARY OF THE DEAD, he continues his work in that most unusual of mediums, making this incarnation as fresh, as timely, and as grotesquely funny as all that he has purveyed before. Maintaining the conceit of using zombies… Read More »
FOOL’S GOLD
FOOL’S GOLD takes a radical approach to its genre. It is an adventure without thrills, a comedy without laughs, romance without heat, and a family drama without heart. A sublimely ironic deconstruction of cinematic conventions? If only. What we have here is filmmaking that is forced, flimsy and flaky. At best. Matthew McConaughey and Kate… Read More »
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