THE SORCERERS APPRENTICE starts with so much promise. Nicolas Cage as Balthazar, the eccentric and eponymous sorcerer on a quest to find Merlins heir and with him conquer the evil sorcerers bent on ruling the world by first destroying it. Jay Baruchel as Dave, the sweet but stuttering science geek and, as a magic dragon… Read More »
ANTON CHEKHOV’S THE DUEL
A learned man with a small mind munches a banana while explaining the theory of evolution, totally unaware of the irony. It is one of the finer examples of how screenwriter Mary Bing has distilled the essence of Anton Chekhov in her engrossing adaptation of his novella, THE DUEL. The arch ironies, the piquant comedy,… Read More »
DINNER FOR SCHMUCKS
The greatest crime committed by DINNER FOR SCHMUCKS, and there are many, is that it might prevent the viewers who have suffered through it to never discover the original, Francis Vebers delicious LE DINER DE CONS, on which it was based. An original of which the re-makers have completely missed the point. Of course, Americanizing… Read More »
CHARLIE ST. CLOUD
CHARLIE ST. CLOUD is a middling, innocuous film, rife with woozy golden sunlight and swelling syrupy music invoked to create the emotions that the film itself fails to ignite. For all the distraught characters, the film itself deftly sidesteps any attempts to explore the further reaches of passions, of romance or of grief, instead opting for… Read More »
THE OTHER GUYS
A rambling script that never quite takes the aim it meant to at the rarified world of high finance proves little impediment to THE OTHER GUYS, an uneven comedy redeemed by the inspired casting of Will Ferrell and Mark Wahlberg as cops with nothing in common paired up on a career-making case. Forget the brief,… Read More »
SCOTT PILGRIM VS. THE WORLD
SCOTT PILGRIM VS. THE WORLD, adapted from the graphic novel of the same name by Bryan Lee O’Malley, redefines the cinematic linear narrative by frog-marching it straight into the psyche of the post-adolescent zeitgeist. A slick synthesis of graphic novel and cinema, it becomes much more that just he sum of its parts, it becomes… Read More »
EAT PRAY LOVE
EAT PRAY LOVE is a glossy travelogue of a flick, full of stereotypes and caricatures providing a colorful backdrop to Julia Roberts’ glamour lighting. Based on the book of the same name by Elizabeth Gilbert, it is the personal journey towards inner happiness taken by Liz (Julie Roberts) as she learns the lessons of the… Read More »
THE EXPENDABLES
Its comforting to know after experiencing THE EXPENDABLES that Sylvester Stallone will once again find himself on the list of Razzie nominees for 2010, and because he is the director, co-writer, and co-star, it will be in multiple categories. It doesnt get back the time spent watching this generic action flick, but it does provide… Read More »
THE SWITCH
THE SWITCH, based on the short story Baster by Jeffrey Eugenides, is a quiet comedy that is also an introspective mood piece about Wally (Jason Bateman) an inadvertently funny, introspective and somewhat moody man. Speaking to a particular pocket of time, the first decade of the 21st century, and a particular place, New York City,… Read More »
STONE
There is a tragic irony in STONE. Specifically, that Jack Mabry (Robert de Niro) has spent his professional life listening to convicts as they make their case for parole, and yet, he has never really heard any of them. He thinks hes wise to the lies they tell in order to be free once again.… Read More »
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