The starring role in MONEYBALL is not a showy one. Rather it requires of the actor playing it to posses a consummate skill in inhabiting a character rather than merely playing one. Billy Beane, the General Manager of the Oakland A’s must be all things to all people, low-key and cool as he is glad-handing… Read More »
A VERY HAROLD & KUMAR 3D CHRISTMAS
With some films, the 3-D effect is tacked on to generate a few extra bucks at the box office. And then there are the ones like A VERY HAROLD AND KUMAR 3-D CHRISTMAS. The wisps of smoke coming off those funny cigarettes so dear to the title characters hearts become prehensile as they float off… Read More »
LOVE! VALOR! COMPASSION
LOVE! VALOR! COMPASSION! is a romantic comedy, full of great one-liners, that, nonetheless is not shy about taking on serious subjects, such as the human heart. Forget space, this is the real final frontier. Nothing else has such an infinite capacity to delight, destroy, and surprise. The story takes place over three holiday weekends during which a… Read More »
DAUGHTER FROM DANANG
Gail Dolgin and Franco Vicente’s heartrending documentary DAUGHTER FROM DANANG shows not only the long-term effects of the Vietnam War in very personal terms, but also looks at how fragile the bonds of blood and family can be. Both insights are disturbing, but in the able hands of these filmmakers, the story of one family’s… Read More »
YOUNG ADULT
The key to YOUNG ADULT’s protagonist, Mavis Gray, is her response to a particular question. Appearing bedraggled and wine-stained on the doorstep of her human doormat, Matt Freehauf, she is asked by him what happened. The audience knows she has been devastated by having her illusions taken from her. Her answer, though, eschews that. Instead,… Read More »
THE GREY
The best moment, the one that perfectly sums up THE GREY, is the one where a character has decided to die. Not because pain and fatigue suffered by that character have muddled his judgment and clouded his mind, though the actor involved certainly brings that, no, the decision to die is more transcendent than that,… Read More »
GREY, THE
The best moment, the one that perfectly sums up THE GREY, is the one where a character has decided to die. Not because pain and fatigue suffered by that character have muddled his judgment and clouded his mind, though the actor involved certainly brings that, no, the decision to die is more transcendent than that,… Read More »
FRIENDS WITH KIDS
Best friends Julie (Jennifer Westfeldt) and Jason (Adam Scott) think they have it all figured out when it comes to having it all. Having seen the toll that the introduction of childbearing has taken on the relationships of their hip and ecstatically happy married friends, they turn cerebral about the most primal of instincts and… Read More »
HUNGER GAMES, THE
The politics of THE HUNGER GAMES, based on the hugely popular novel of the same name by Suzanne Collins, are never far from the action. Yet the premise, a futuristic yet oddly familiar society operating after the collapse of the United States, one that keeps its poor and downtrodden firmly under heel by turning them… Read More »
KILLER JOE
There are truths about human nature that only brutality in its rawest form can depict. Such is the concept embraced with both verve and style by William Friedkin in KILLER JOE, a tale of moral compasses gone askew, dysfunctional family dynamics taken to their logical extreme, and human life reduced to a commodity on a… Read More »
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