THE LITTLE THINGS, or to be precise, “the little things” is a well-thought-out film, and if putting a film together with the pre-fab precision of a Lego® sculpture were all it took to make a great flick, such it would be. Alas, the overweening self-conscious sense of profundity fails to convince even the most willing… Read More »
THE NIGHT
With THE NIGHT, Kourosh Ahari has fashioned a deeply disturbing, elegantly told tale of horror that resonates not so much for its supernatural elements, as for the fear that lurks within us all that one day, or in this case, night, we will get what we deserve for our transgressions. Ahari may be using familiar… Read More »
I BLAME SOCIETY
I’m not giving anything away to tell you the punch line in Gillian Wallace Horvat’s I BLAME SOCIETY. It’s a perfectly timed, and even more perfectly delivered explanation about the film her character made in the course of this vicious, and viciously funny satire: I’m sorry it didn’t meet your expectations, I didn’t make it… Read More »
ONE NIGHT IN MIAMI…
The story of ONE NIGHT IN MIAMI was inspired by actual events, which leaves plenty of room for speculation about what Malcolm X, Cassius Clay (shortly to become Muhammad Ali), James Brown, and Sam Cooke talked about in that motel room on February 25, 1964. If it was less the dialectic presented here, what each… Read More »
OVER THE MOON
OVER THE MOON sensitively takes on a difficult subject, the loss of a mother with the subsequent prospect of a blended family. It becomes a film that is respectful of the issue, yet triumphantly uplifting in it message of moving on while still honoring the past. Along the way, we learn about the importance of… Read More »
THE MIDNIGHT SKY
It feels right to have a film about the end of the world be a cold thing, literally and figuratively. And so it is with THE MIDNIGHT SKY, a story set three decades or so in the future is an uncertain blend of personal regret with planetary destruction. Set both in the arctic and in… Read More »
MINARI
MINARI is a powerful contemplation of family, faith, and the American Dream. Seen through the lens of 7-year-old David (Alan S. Kim in a stunning, unselfconscious turn), whose Korean-born parents have moved him, his older sister Anne (Noel Cho), and eventually their grandmother (scene-stealing Youn Yuh-jung) to rural 1980s Arkansas in search of a life… Read More »
PROMISING YOUNG WOMAN
It’s only right that a revenge story with a savage punch line should also have a savage sense of humor. And so it is with PROMISING YOUNG WOMAN, a tale of rage against the patriarchy in which the testosterone-heavy are not the only problem, and one woman’s refusal to let a crime go unacknowledged makes… Read More »
THE CROODS: A NEW AGE
The animation in THE CROODS: A NEW AGE is just as lovely as it was in the original. As we find our cave family going through some changes, though, the story, while lively, has a distinctly mid-century sit-com vibe, and not just because that Partridge Family anthem, “I Think I Love You”, is on repeat… Read More »
I’M YOUR WOMAN
As we learn at the start of I’M YOUR WOMAN, Jean (Rachel Brosnahan) is living a life of comfort, security, and irritating tedium in 1970s suburbia. Ensconced in a mid-century classic in an affluent neighborhood, she is quietly smoking as she goes over where her life when wrong, as in not having children with her… Read More »
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