HARRIET achieves the proper, and richly deserved, tone of reverence for its subject, Harriet Tubman. That is, alas, its greatest failing. The astonishing life of one of the most courageous Americans who has ever lived is told in a series of set pieces, vignettes with all drama sapped from them as they take on the… Read More »
THE LIGHTHOUSE
A dark and twisted fever dream of a film, THE LIGHTHOUSE confronts the anguish of the human condition with suitable horror and an equally suitable dash of absurdity. Rendered in disturbing grades of black and white, it presents two men tending a lighthouse on a desolate rocky outcropping in the middle of nowhere. In the… Read More »
THE ADDAMS FAMILY
Considering it only lasted two seasons in its initial run back in the 1960s, the television version of Charles Addam’s gruesomely enchanting New Yorker cartoon, The Addams Family, has become a powerful pop culture touchstone. It’s a favor that the current animated version amply repays, rife as it is with pop and political references. And… Read More »
GEMINI MAN
It is the age old question, just because we >can< so something, does that automatically mean that we should? In the case of pitting an older Will Smith against a younger Will Smith courtesy of the slick visual effects in GEMINI MAN, the answer is a resounding no. Make that NO. The visual trickery that… Read More »
ABOMINABLE
ABOMINABLE is a sweet, if unremarkable, movie. With a plot that offers little in the way of novelty and characters who are as familiar to fans of contemporary animated films aimed at kiddies as Harlequin was to fans of the commedia dell’arte, it does boast some fine animation and a mythical creature that is undeniably… Read More »
HUSTLERS
HUSTLERS is about as subtle as a pole dance when it comes to making a case for the poetic justice of what a gang of strippers did to the very Wall Street bankers who plunged the country into financial chaos back in 2008. And that is how it should be. The script written by director… Read More »
READY OR NOT
READY OR NOT has one of the great cinematic punchlines. It’s much better in context, so I won’t give it away, but suffice to say that it’s not only pithy, it’s also all too relatable. So is the film itself, in a deliciously twisted way. This very black comedy plays on the fine line between… Read More »
ANGEL HAS FALLEN
The word is carnage. ANGEL HAS FALLEN never goes more than a few minutes without someone or something being taken out. Sometimes in multiples. Often with a fiery conflagration. Very often. This third in the series featuring dogged Secret Service agent Mike Banning (Gerard Butler) finds our hero happily settled into blissful domesticity with wife… Read More »
WHERE’D YOU GO, BERNADETTE
Based on the novel by Maria Semple, WHERE’D YOU GO BERNADETTE is a tale of artistic vision quashed by its run-ins with the crasser elements of reality, and the consequences of living the resulting inauthentic life with Cate Blanchett perfection as Bernadette, the eccentric anti-social wife of a Seattle Microsoft bigwig. Her skirmishes with her… Read More »
LUCE
LUCE is less a film than a political dialectic on race and class in these United States, and a brilliant, exquisitely performed one at that. Told with a deliberate, sometimes maddening ambiguity, it challenges the audience at every turn about where the truth lies, and the limits of familial loyalty. By the end, not every… Read More »
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