Rudy Mancuso (played by . . . Rudy Mancuso) lives in a slightly different universe than the rest of us. Where we hear the rumble of city life, Rudy hears rhythm and music. Where we see people going about their daily lives, Rudy sees syncopated choreography. And that’s the universe that Mancuso, as director and… Read More »
PURE O
PURE O begins with its protagonist, Cooper (in an arresting Daniel Dorr), alone in his car and in emotional extremis, listening to his own voice describing how he will murder the love of his life with the knife that is sits with an unnatural glow next to him. It is the stuff of horror films,… Read More »
GODZILLA X KONG: THE NEW EMPIRE
GODZILLA X KONG: THE NEW EMPIRE begins with a lonely Kong suffering the pain of an infected tooth, and the loneliness of being the last of his kind. It’s a good place to start, and if the filmmakers had stayed with the big guy on his adventures, this would have been a much better flick.… Read More »
PROBLEMISTA
There is so much to admire about Julio Torres’s PROBLEMISTA, from its magnificent manifestations of metaphor to its tweaking of subjective norms and random exploitation in a provocative satire as dark as night, but as hopeful as a buoyant full moon. The one that reigns supreme, though, is what Torres has done with the desperate,… Read More »
GHOSTBUSTERS: FROZEN EMPIRE
The important takeaway from GHOSTBUSTERS: FROZEN EMPIRE, and, if one is being blunt, the only reason for it to exist, aside from those delightful miniature Stay-Puft marshmallow imps, is the delightful discovery that Kumail Nanjiani may very well be the cinematic heir of Bill Murray. Certainly, they are the only ones who consistently seem to… Read More »
IMMACULATE
The first and last words spoken in IMMACULATE are the Hail Mary. That prayer takes on very different meanings in each context, and in between them we have a film that is uneven, but oddly fascinating. Taken on one level, it is a screed against the patriarchy, with a woman reduced to her womb. On… Read More »
CABRINI
CABRINI is a handsome throwback to the hagiographies done so well by Hollywood in the 1940s and 1950s. Replete with luxurious cinematography worthy of anything to be found in a fine arts museum, it is fueled by a passionate, coolly confidant performance by Cristiana Dell’Anna as Mother Cabrini, America’s first saint. Amid the expected, and… Read More »
PROJECT DOROTHY
James (Tim DeZarna) is a tough old bird whose life choices have not served him well, but the cynicism this has engendered has not destroyed his moral compass. Not entirely, anyway. That is fortunate because his latest choice has put the fate of humanity in his hands. In PROJECT DOROTHY, James and his partner in… Read More »
DRIVE-AWAY DOLLS
DRIVE-AWAY DOLLS may be another proof of the universe’s entropy. You know, the rule that posits everything is slowly devolving into a state of disarray and incoherence. Or something along those lines. This effort by Ethan Coen certainly shows flashes of the oddball genius of the films he made with his brother, Joel, but the… Read More »
HUNDREDS OF BEAVERS
If, in a parallel universe that I would very much like to visit, Chuck Jones hired Guy Maddin to create a Looney Tunes cartoon, the result might not be too different from Mike Cheslik’s HUNDREDS OF BEAVERS. This gleefully unhinged excursion into intrigue, romance, and the call of the wild transcends, and transgresses, many genres… Read More »
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