Click here for the flashback interview with John Krasinski for THE HOLLARS. John Krasinski’s great strength as a filmmaker is that he can capture the full spectrum of emotions, the fleeting bit of comfort in remembering a loved one who has died while the grief is still raw, or the poignant joy of remembering… Read More »
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BACK TO BLACK
Any success enjoyed by the Amy Winehouse biopic, BACK TO BLACK, rests squarely on the frail shoulders of the actress playing the singer, Marisa Abela. With an outsized presence like Winehouse herself, Abela channels Winehouse’s violence and vulnerability, making her at once a lost little girl and a musical powerhouse who refused to be pigeonholed… Read More »
TIME OF THE HEATHEN
There could be no better time to re-discover Peter Kass’ lost black-and-white masterpiece, TIME OF THE HEATHEN. Taking as its theme man’s inhumanity to man (and woman), Kass uses the microcosm of racism as well as the macrocosm of society blindly following rules, legal and cultural, to give us a searing indictment of humanity as… Read More »
KINGDOM OF THE PLANET OF THE APES
Let us frankly marvel at what technology can do. It can allow the gloss of an ape avatar to convey the most subtle and the most powerful of performances, complete with echoes of that human actor’s appearance, with flawless nuance. And so it is in THE KINGDOM OF THE PLANET OF THE APES. That same… Read More »
THE FALL GUY
THE FALL GUY is big fun made better by crackerjack cast and its whimsical penchant for self-reference. Based on the vintage television series of the same name, it reboots Colt Seaver (Ryan Gosling) as a stuntman for the hottest star in Hollywood, Tom Ryder (Aaron Taylor-Johnson), and madly in love with Jody Moreno (Emily Blunt),… Read More »
MUSICA
Rudy Mancuso (played by . . . Rudy Mancuso) lives in a slightly different universe than the rest of us. Where we hear the rumble of city life, Rudy hears rhythm and music. Where we see people going about their daily lives, Rudy sees syncopated choreography. And that’s the universe that Mancuso, as director and… Read More »
PURE O
PURE O begins with its protagonist, Cooper (in an arresting Daniel Dorr), alone in his car and in emotional extremis, listening to his own voice describing how he will murder the love of his life with the knife that is sits with an unnatural glow next to him. It is the stuff of horror films,… Read More »
GODZILLA X KONG: THE NEW EMPIRE
GODZILLA X KONG: THE NEW EMPIRE begins with a lonely Kong suffering the pain of an infected tooth, and the loneliness of being the last of his kind. It’s a good place to start, and if the filmmakers had stayed with the big guy on his adventures, this would have been a much better flick.… Read More »
PROBLEMISTA
There is so much to admire about Julio Torres’s PROBLEMISTA, from its magnificent manifestations of metaphor to its tweaking of subjective norms and random exploitation in a provocative satire as dark as night, but as hopeful as a buoyant full moon. The one that reigns supreme, though, is what Torres has done with the desperate,… Read More »
GHOSTBUSTERS: FROZEN EMPIRE
The important takeaway from GHOSTBUSTERS: FROZEN EMPIRE, and, if one is being blunt, the only reason for it to exist, aside from those delightful miniature Stay-Puft marshmallow imps, is the delightful discovery that Kumail Nanjiani may very well be the cinematic heir of Bill Murray. Certainly, they are the only ones who consistently seem to… Read More »
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