If Douglas Sirk had directed a film noir written by Billy Wilder, it might have looked something like HAIL, CAESAR!, the latest thoughtful tangle of philosophy and whimsy from the Coen Brothers. Taking place in a 1951 Hollywood not entirely unlike the one that actually existed, it mixes Cold War paranoia, carefully managed studio PR… Read More »
THE CHOICE
After a press screening, the film’s local publicist will ask for a reaction. After seeing THE CHOICE, and not wanting to dwell on the film’s myriad faults, I chose to respond by saying that I liked the pelicans. Majestic, improbable creatures that look like something from the Upper Triassic, in one of the film’s many… Read More »
JANE GOT A GUN
JANE GOT A GUN tries to evoke Leone (check the duster Jane sports) and Ford (check the mesas that surround her), but without the intensity of the former, or the adventure of the latter. What’s left is a stereopticon of a post-modern morality tale that can’t overcome its own inertia.
KUNG FU PANDA 3
One of the things that makes Po, the eponymous hero of the animated Kung Fu Panda franchise, so endearing is that he doesn’t take his skills in stride. As voiced once again by the excitable gravel that is Jack Black’s speaking instrument, Po takes a childlike delight in being able to defy gravity and dispatch… Read More »
LAZER TEAM
LAZER TEAM is a cheerfully cheesy homage to great and not-so-great sci-fi movies of days gone by. With a goofy sense of humor, a droll use of irony, and whipsmart comedic instincts, it tells the time-honored tale of misfits finding the greatness within themselves, while also saving the earth from evil alien invaders. It takes as… Read More »
DIRTY GRANDPA
We will commence with the flensing of DIRTY GRANDPA momentarily. Before we begin, though, a brief summary of the plot of Mel Brooks’ THE PRODUCERS. In that film, more the original rather than the musical remake, we were delighted by the inspired but appalling behavior of producer Max Bialystock and Leo Bloom, his hapless accountant turned… Read More »
13 HOURS: THE SECRET SOLDIERS OF BENGHAZI
With his trademark bombast, Michael Bay addresses the tragedy of Benghazi with great attention to the details of battle, and only the most superficial of attitudes towards everything else. Based on the book by Mitchell Zuckoff that recounted the 2012 attack by local insurgents on the temporary American embassy and the CIA station in that… Read More »
THE REVENANT
With THE REVENANT, Alejandro González Iñárritu has taken the true story of early 19th-century frontier scout Hugh Glass, and admirably manipulated it into a spiritual journey of savage poetry. Glass’s story, rendered cinematically in the 1970’s by Richard Harris in MAN IN THE WILDERNESS, becomes much more here. Iñárritu uses the bare bones of the… Read More »
QUEEN OF EARTH
When we first see Catherine (Elizabeth Moss), she appears to be melting. Mascara and eyeliner running down her face. Her hair dripping. She is reacting to a breakup. Badly. The camera clings to her distorted face as she reels from the news apparently just delivered by her boyfriend, James (Kentucker Audley) and is by turns… Read More »
CONCUSSION
By comparing the National Football League’s reaction to medical evidence linking repeated head trauma by its players to long-term brain damage and that of the tobacco industry’s reaction to medical evidence linking cancer and cigarette smoking, CONCUSSION cleverly makes its case. If it were just a case for corporate greed, that would be disturbing enough,… Read More »
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