The one questions that reverberates through SISTERS is why didn’t the stars, Amy Poehler and Tina Fey, write the script? They are producers, after all, and would seem, therefore, to have the clout to get any script that they wanted made, and yet, they have opted to squander their considerable talents on an egregiously plug-and-play… Read More »
STAR WARS: THE FORCE AWAKENS
What you really want to know is whether or not J. J. Abrams has worked his magic and saved the Star Wars franchise. The answer is not just yes. But, rather, YES!!!!!!!!!!!!!!!!! It is perfection. That is all you really need to know and, while I will not do this film the disservice of lessening… Read More »
IN THE HEART OF THE SEA
No one knows why a whale of unusual coloration destroyed the whaling ship Essex in 1820. Certainly, nothing of the sort had been reported before, though whaling ships had been aggressively hunting the largest animal to ever live on earth ever since the discovery that whale oil could be used to light lamps and heat… Read More »
KRAMPUS
KRAMPUS begins in such a promising fashion. Taking the worst that the holiday has to offer in this, the real world of boorish relatives, rampaging hordes of shoppers, and Christmas pageants gone horribly awry, it hopes to build on that to tell an even more horrifying tale of the supernatural comeuppance for losing the holiday… Read More »
THE PEANUTS MOVIE
There must have been an enormous temptation on the part of those in charge of THE PEANUTS MOVIE to exploit the advances in animation that have come to be standard since the last Peanuts film. We are all very lucky that they decided to serve the spirit of Charles Schultz’s comic strip instead. They are… Read More »
VICTOR FRANKENSTEIN
VICTOR FRANKENSTEIN begins by telling us that we have heard this story before. And we have. Sort of. The Frankenstein (James McAvoy) in question is the one that built the iconic monster out of spare human parts, but it’s Igor (Daniel Radcliffe), the man scientist’s assistant, who is our narrator, and it’s from his fresh,… Read More »
CREED
In many ways, CREED is a formula film, but one done with so much palpable affection and respect on the part of director and co-writer Ryan Coogler for its inspiration, ROCKY, that it’s impossible to not be swept along by it. Expanding that franchise’s universe, he takes it into the next generation by giving Rocky’s… Read More »
SPOTLIGHT
SPOTLIGHT does more than dissect the passions at work in the investigative news process. As riveting as the specifics are of how The Boston Globe’s special investigative team chased down the sex-abuse scandal in the Catholic Church, it’s the larger question, that of how wide-spread sexual abuse of children by priests could have flourished for… Read More »
BLACK MASS
It is only the smallest of exaggerations to say that there are only two types of scenes in BLACK MASS. One is of James “Whitey” Bulger either having someone executed with a vicious precision, or doing the dastardly deed himself. The other is an assemblage of characters having an extended conversation about what has happened… Read More »
SPECTRE
There are very specific things we want in a James Bond film. Great action, dastardly villains who are larger than life and twice as buggy, and Bond girls who have evolved over the years to be a bit more than merely a pulchritudinous interlude. In Bond, as incarnated by Daniel Craig, we want a steely… Read More »
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