In many ways, CREED is a formula film, but one done with so much palpable affection and respect on the part of director and co-writer Ryan Coogler for its inspiration, ROCKY, that it’s impossible to not be swept along by it. Expanding that franchise’s universe, he takes it into the next generation by giving Rocky’s… Read More »
SPOTLIGHT
SPOTLIGHT does more than dissect the passions at work in the investigative news process. As riveting as the specifics are of how The Boston Globe’s special investigative team chased down the sex-abuse scandal in the Catholic Church, it’s the larger question, that of how wide-spread sexual abuse of children by priests could have flourished for… Read More »
BLACK MASS
It is only the smallest of exaggerations to say that there are only two types of scenes in BLACK MASS. One is of James “Whitey” Bulger either having someone executed with a vicious precision, or doing the dastardly deed himself. The other is an assemblage of characters having an extended conversation about what has happened… Read More »
SPECTRE
There are very specific things we want in a James Bond film. Great action, dastardly villains who are larger than life and twice as buggy, and Bond girls who have evolved over the years to be a bit more than merely a pulchritudinous interlude. In Bond, as incarnated by Daniel Craig, we want a steely… Read More »
NASTY BABY
It’s a toss-up which is more unpredictable: creative impulse when given full rein, or that same impulse when it is stymied, though, perhaps one is a little that is more dangerous than the other. The struggle, be it artistic or procreative, is the theme of Sebastian Silva’s NASTY BABY, a modern fable about family, friendship,… Read More »
OUR BRAND IS CRISIS
OUR BRAND IS CRISIS is an oft told tale of political machinations played in the vacuum of the zero-sum game that is the electoral process in modern times. In it, we are reminded, candidates are products, issues are what the spin-meisters dictate, and the public is there to provide the score card used by which… Read More »
TRUTH
James Vanderbilt’s TRUTH is a careful, disturbing dissection of the triumph of style over substance, flash over facts, insinuated itself, and then took over, television news. Based on the book Truth and Duty: The Press, the President, and the Privilege of Power by Mary Mapes, it examines that moment in history when the eponymous truth… Read More »
THE LAST WITCH HUNTER
THE LAST WITCH HUNTER is a long slog. There are few genuine scares. There are few remarkable special effects. There is, instead, a pervasive and persistent lassitude to this tale of an immortal witch hunter, Kaulder (Vin Diesel), and the complicated relationship he has tracking down the eponymous practitioners of magic. Kaulder is very good… Read More »
CRIMSON PEAK
If CRIMSON PEAK offered nothing more than the creepiest bathtub specter since THE SHINING, it would still qualify as a monstrously entertaining film. But this is Guillermo del Toro directing and co-writing, and so the lushness of subtext mirrors the classically Gothic idiom of the story. The paranormal is the least disturbing of the elements… Read More »
BRIDGE OF SPIES
Clad, metaphorically, in a shining armor of truth, and wielding an equally luminous sword of righteousness, Tom Hanks as attorney James Donovan is the embodiment of American virtue, right down to the meat loaf he has for dinner, the which is not touched until he has said grace with his wife and three kids. There was, no… Read More »
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