Some of Woody Allen’s best films deal with the problem of absolute ethics in a world that is full of moral ambiguity. CRIMES AND MISDEMEANORS beings the epitome of his musings on the subject, with lesser, but no less satisfying efforts such as MATCH POINT continuing the dialogue. In IRRATIONAL MAN, Allen has crafted another… Read More »
LILA & EVE Rewrites Revenge
As a portrait of perfect grief, LILA & EVE is unmatched. Blessed with a performance by Viola Davis as Lila, this is one of the best ever filmed. She is fierce, edgy, and heartbreaking as a single mother in a harrowing study of the limits of sanity in the face of unutterable tragedy. Unlike the… Read More »
A MINIONS of Diminishing Returns
It must have seemed like such a good idea. Take the loveable little yellow minions from DESPICABLE ME and star them in their own movie. Certainly the eponymous MINIONS features much of what made them so irresistible. There’s that burbling mélange of human and Minion-esque language. The ebullient nature, the eagerness to please, and that… Read More »
MAGIC MIKE XXL: Flash and Dazzle
Steven Soderbergh is an executive producer of MAGIC MIKE XXL, but that is the only trace of that director to be found in this sequel that is more about joy than angst. Channing Tatum, returning as the eponymous male stripper, has taken the fun and dazzle from the original and eschewed most of the cerebral… Read More »
A Ho-Hum TERMINATOR GENISYS
Inflated and grandiose, TERMINATOR GENISYS rethinks the Terminator mythos by coming up the novel notion that changing the past might have more than the intended repercussions. Hence, when the John Conner (Jason Clarke, near left) in this timeline sends Kyle Reese (Jai Courtney, far left) back to 1984 Los Angeles to save John’s mother, Sarah (Emilia Clarke),… Read More »
JURASSIC WORLD Bigger Dinosaurs, Less Fun
There’s a problem when the most complex character in a film is the dinosaur. Then again, JURASSIC WORLD is a film, that like the eponymous amusement park depicted within its two-hour or so running time, has only those extinct animals to offer by way of novelty. Not that this quasi-sequel to JURASSIC PARK is bad,… Read More »
SAN ANDREAS’ Flight of Fancy
If nothing else, SAN ANDREAS is one of the finest advertisements ever made for the importance of emergency preparedness. Those who survive the state-long earthquake that erupts on the eponymous fault line are either those who know to duck under a table or shelter by a solid wall, or those who are related to those… Read More »
SPY
When I reviewed BRIDESMAIDS, I spent a great deal of my verbiage on Melissa McCarthy’s supporting performance. Rarely had I seen an actress, or actor for that matter, so fearless, so sure of him- or herself, and with such a preternatural gift for discovering humor in the most unexpected places. She was nominated for an… Read More »
ALOHA
ALOHA is a glorious, unkempt disaster of a film. Individual elements are ambitious, even praiseworthy, but the narrative arc of this comedy-drama about Hawaiian legends, the privatization of space, and a hunky guy with commitment issues falls apart almost as soon as the whirl-a-gig ride begins. Credit where it’s due, though, writer-director Cameron Crowe is… Read More »
A Pale Shadow of A POLTERGEIST
The original POLTERGEIST was said to have a curse attached to it. Perhaps because the producers opted to use real skeletons rather than models because they were cheaper. Perhaps because taunting the supernatural might tick off the wrong non-corporal entity. Aside from the deaths associated with members of the original cast and crew, certainly the… Read More »
- « Previous Page
- 1
- …
- 49
- 50
- 51
- 52
- 53
- …
- 147
- Next Page »