There are, to be sure, the usual tropes of high school angst and triumph to be found in THE DUFF, based on the book by Kody Keplinger, but this is a film distinguished by sprightly, intelligent writing, and outstanding performances that are not just funny, but also perceptive and nuanced. Except for the high school… Read More »
JUPITER ASCENDING. Not.
The Wachowskis know how to produce a spectacle. In that, they may very well be the cinematic heirs of Cecil B. DeMille, whose films featured showmanship of the highest caliber, but some of whose films could charitably be described as insubstantial. And such is the case with the space saga, JUPITER ASCENDING, a film chock-a-block… Read More »
PROJECT ALMANAC Flunks
After being delayed delayed half a year or so, PROJECT ALMANAC (aka WELCOME TO YESTERDAY and ALMANAC) has finally crept onto movie screens only to prove that waiting a year for its release would not have been nearly long enough. The trope of time travel and second chances has never been rendered in a more… Read More »
Going Beyond BLACK OR WHITE
Mike Binder has a particular genius for showing people brimming with good intentions, but flawed, stumbling through life without the operating instructions that would help them negotiate the bumps along the way. He has the gift of showing humor and pathos as elements that are not so much disparate, as entwined, manifesting at oddest moments… Read More »
Al Pacino Exalts THE HUMBLING
THE HUMBLING is a throwback to a time when attention spans were longer, characters were created out of complex and even contradictory behaviors, and the story was an extension of the characters, not a glib contrivance. Based on the 2008 novel of the same name by Philip Roth, it is a study of Simon Axler, an actor crumbling as he feels his craft drifting away leaving him in limbo between reality and delusion, comedy and tragedy, meaning and nothingness.
MORTDECAI is DOA
Sneaking into theaters without benefit of a press screening, MORTDECAI is a tragically unfunny attempt at lighthearted comedy. Based on the novel Don’t Point that That Thing at Me” by Kyril Bongfiglio, its efforts at whimsy fall flat, while its attempts to attain the quirky begin and end with the waxy curls of Johnny Depp’s… Read More »
A MOST VIOLENT YEAR Is A Most Excellent Film
A MOST VIOLENT YEAR begins, appropriately enough, with its protagonist, Abel Morales (Oscar Isaac) running. Though this is merely jogging through the snowy landscape of 1981 New York, he will spend the rest of the film running more purposefully either literally, figuratively, or both, as he scrambles to overcome fate and the fickleness of human… Read More »
TOP FIVE = Top Flight
TOP FIVE starts a little out of chronological sequence with two protagonists walking down a Manhattan sidewalk discussing art and life. Specifically art versus life with one opining that a movie is just a movie while the other disagrees. The man, as we will shortly learn, is Andre Allen (Chris Rock), superstar funnyman and recovering… Read More »
EXODUS: GODS AND KINGS and Missing the Mark
Lovely to look at with some fine performances in a muddled execution.
THE HOMESMAN
Tommy Lee Jones is a dour man, at least on screen. His carefully cultivated persona is a laconic one of few words and little patience. It is a character that he plays to perfection, and in THE HOMESMAN,he imbues it with a wonderful, understated quirkiness that makes his star quality all the more charismatic. As… Read More »
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