In GET HIM TO THE GREEK, sweet geek and uber-fan Aaron Green (Jonah Hill) gets to live his dream of hanging out with his idol rock star Aldous Snow (Russell Brand). The dream includes getting the notoriously difficult musician to the eponymous Greek Theater from London in 72 hours and its more than a chance… Read More »
KILLERS
KILLERS, a film released without a press screening, takes ones breath away with the depth, breadth, and sheer scope of its ineptitude. Director Robert Luketic has confused helming a frothy action romp through silliness with remaking Ingmar Bergmans SCENES FROM A MARRIAGE. Star Katherine Heigl may be many things, Liv Ullman is not one of… Read More »
THE A-TEAM
The biggest mistake in making a testosterone-fueled action fantasy is to have it take itself too seriously. THE A-TEAM doesnt fall into that trap. Instead, it takes everything that was fun about the series on which it was based and amps it up into stratospherically ridiculous heights. And it does so with an irresistible insouciance… Read More »
TOY STORY 3
Since his introduction by Pixar over a decade ago, Woody the toy cowboy (Tom Hanks) has faced dangers and adversaries of many varieties. In TOY STORY 1, it was Buzz Lightyear (Tim Allen) stealing the number one position in owner Andys heart, and that psychotic kid next door who did unfortunate things to the toys… Read More »
JONAH HEX
It is a consistent if ill-considered move to make JONAH HEX as lifeless as the dead with whom the title character converses. Based on the DC Comic of the same name, it follows the adventures of said Jonah (Josh Brolin), a bounty hunter with heavy baggage, and even heavier facial disfigurement, as hes called upon… Read More »
KNIGHT AND DAY
KNIGHT AND DAY is what a summer popcorn movie should be. Its big, its preposterous, and its a whole lot of fun. Boy meets girl. Boy behaves in socially inappropriate but oddly compelling ways involving guns and random acts of derring-do. Girl goes along for the ride, more or less willingly depending on where the… Read More »
GROWN UPS
The pain of watching a shlocky film is trivial compared to the torture of sitting through a shlocky film that has convinced itself that it has a message beyond being awful. The latter is the experience of GROWN UPS, a dismal interlude that in the first 10 minutes establishes that men are idiots, women are… Read More »
THE TWILIGHT SAGA — ECLIPSE
It is as though the TWILIGHT franchise made the calculated but not necessarily unwise decision to cater to its enormous fan base and only to that fan base of overexcited adolescent females for whom hormones are a new experience. This is not a casual fan base. This is a fan base that was delighted to… Read More »
THE LAST AIRBENDER
Take a truly robust mythology, access to some of the best CGI houses working today, a budget that allows for location filming outside of Philadelphia, and what do you get? In the hands of former hot property M. Night Shyamalan, you get THE LAST AIRBENDER, an irritating fantasy flick that finds its greatest magic in… Read More »
YEAR ONE
YEAR ONE is a lazy excrescence of a film. Crude, sloppy, flat, and singularly uninspired, its only redeeming virtue is proving that Michael Cera is capable of rising above even this abominable material. He does this by being in a film that is entirely separate from the one taking place around him, a smart move.… Read More »
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