NO STRINGS ATTACHED is a sweet and sophisticated comedy that gently navigates the emotionally explosive no-mans-land of modern relationships. No rules, no cookie-cutter blueprints, its a scary place where the friends of those with the biggest questions are the ones who are the quickest to offer advice, and are also the ones with the least… Read More »
I SPY
Leaving aside I SPYs misogynist subtext that casts women as either mindless playthings or castrating bitches, lets focus on the real problem. Instead of bouncing along on farce and the chemistry of its co-stars, it chugs along bravely on its formula track to mediocrity. Its not particularly bright, either, so really, the only thing to… Read More »
RITE, THE
THE RITE forges boldly into some interesting theological territories without ever quite making the trip as interesting as the ideas behind it. What begins as an intriguing consideration of how evil can insinuate itself upon even the most innocent of souls becomes, in a breathtakingly short period of time, a wordy symposium. Concepts and theories… Read More »
MECHANIC, THE
THE MECHANIC is slick, stylish, and fun. In short, everything for which an audience turns to an action flick for a few hours of escapist entertainment. Jason Statham again proves that he is the quintessential genre protagonist: cool, efficient, with an ironic edge and credibly cerebral. This last is critical, inasmuch as he is a… Read More »
THE SANTA CLAUSE 2
You have to admire the folks behind THE SANTA CLAUSE II. In this sequel-happy world, they didn’t rush right out to cash in on the success of the original. Instead, they waited eight whole years for a good premise before venturing back, and when you consider that in kids’ years that’s a whole generation, it was a… Read More »
CEDAR RAPIDS
CEDAR RAPIDS is a sweet tale with of innocence lost and happiness found. In the grand tradition of MR SMITH GOES TO WASHINGTON and MR DEEDS GOES TO TOWN, Mr Lippe (Ed Helms) goes to the titular city for an insurance convention and discovers the real world in the big city, and the further, more… Read More »
JUST GO WITH IT
Evincing a sense of humor that would be the envy of a first-grader, Adam Sandler once again assaults the concept of humor in JUST GO WITH IT. Predictable is perhaps the least of the faults to be found here, combined as that is with a fixation on excretion, and with tedious direction from Sandler regular… Read More »
I AM NUMBER FOUR
For a film focused on teenage angst and invaders from other planets, I AM NUMBER FOUR shows a curious tameness. Based on the book by Pittacus Lore, directed by D.J Caruso, who made EAGLE EYE and DISTURBIA so much fun, co-scripted by Marti Noxon of Buffy fame, co-produced by Michael Bey of blowing things up… Read More »
HALL PASS
There is in the epilogue of HALL PASS a reminder of how gloriously demented a Farrelly Brothers movie used to be. Stephen Merchants hopelessly repressed character is offered the eponymous break from married life and imagines a series of interludes that grow more ridiculous and more dire with a geometric progression that ends in a… Read More »
THE ADJUSTMENT BUREAU
The particular brand of unhinged paranoia of which Phillip K. Dick was a master, and then some, gets a respectful treatment in THE ADJUSTMENT BUREAU, based on one of Dick’s short stories. It takes the warm and fuzzy notion that someone or something is keeping the universe creaking along according to a plan, as opposed… Read More »
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