DRIVE-AWAY DOLLS may be another proof of the universe’s entropy. You know, the rule that posits everything is slowly devolving into a state of disarray and incoherence. Or something along those lines. This effort by Ethan Coen certainly shows flashes of the oddball genius of the films he made with his brother, Joel, but the… Read More »
HAIL, CAESAR!
If Douglas Sirk had directed a film noir written by Billy Wilder, it might have looked something like HAIL, CAESAR!, the latest thoughtful tangle of philosophy and whimsy from the Coen Brothers. Taking place in a 1951 Hollywood not entirely unlike the one that actually existed, it mixes Cold War paranoia, carefully managed studio PR… Read More »
BURN AFTER READING
It is a suitably perverse twist that the only person who has the clearest idea of what’s she is doing in the Coen Brothers latest offering, BURN AFTER READING, is Linda Litzke, the inadvertent femme fatale of the piece played by the miraculous Frances McDormand. Not the CIA operatives, not the Treasury Department guy, not… Read More »
THE LADYKILLERS
The Coen Brothers remake of the perfect and perfectly exquisite Ealing Studio comedy, THE LADYKILLERS, isnt just a misfire, its an annoying misfire, irksome, tedious, and on the whole, unnecessary. The original, as you recall, was perfect. It was, if you recall, a resolutely deadpan and black comedy that nonetheless taught a valuable lesson about… Read More »