MAX PAYNE begins laudably enough. Based on the video game of the same name, it reproduces the graytone pen-and-ink world with appropriate shadows, stark lighting, and a hard-boiled protagonist that would make Sam Spade look like a cream puff. This is a man who literally crawls on broken glass without much noticing. Most of the… Read More »
A GOOD DAY TO DIE HARD
It is the way of franchises. They begin with breathless delight and end with a wheezing sigh. And so it is with the Die Hard series. Bruce Willis, whose name was not above the title in the first installment, was a quipping wonder as police detective John McClane, a man out to save his marriage… Read More »
THE FLIGHT OF THE PHOENIX
THE FLIGHT OF THE PHOENIX, 2004’s version of the 1965 film, which was, in turn based on the novel starts with a bang. It ends with another, even better one, but, alas, sags in the middle with too much exposition and not enough suspense. Though people doing very silly things qualifies as a sort of… Read More »
THE OMEN
Liev Schreiber co-starred in one of the few remakes that worked, THE MANCHURIAN CANDIDATE. It was that remake, in fact, that restored my faith in the concept of re-visting a classic film. Alas, Mr. Schreiber’s latest adventure in remakes, THE OMEN, is much less successful. There are no new insights, no shift in perspective that breathes… Read More »