There is a wondrously cheesy sincerity to SHAZAM! that makes its weak spots irrelevant. It is, in many ways, as pure of heart as its champion, and just as giddy about discovering that magic is real. Plus, there’s that flaming Santa running for his life during the climactic final face-off between good and evil.
GLASS
We learn many things in M. Night Shyamalan’s GLASS. We learn that the Philadelphia police department has an abysmal response time. We learn that a fully staffed psychiatric hospital has only two orderlies its employ. And we learn that James McAvoy still cries more manfully than any other actor working today. Possibly ever. He is… Read More »
AQUAMAN
The good news is that Momoa and his mammoth charm more than carry a film that is decidedly not the most original of super-hero tales.
MARY POPPINS RETURNS
It’s a testament to just how good MARY POPPINS RETURNS is that the weakest part of this sequel to the 1964 film is the sequence with Meryl Streep. I hasten to point out the relative nature of the word “weakest”. Like everything else in this practically perfect cinematic exercise, it’s eye-popping and clever as the… Read More »
SPIDER-MAN: INTO THE SPIDER-VERSE
Just when you thought the Spiderman franchise might have finally run its course of endless reboots comes SPIDER-MAN: INTO THE SPIDER-VERSE, a film that that reinvigorates both animation and the super-hero origin story. Told in a wry, raucous style, it dares to explore complicated themes of family ties and personal responsibility while slyly poking fun… Read More »
VENOM
We none of us, least of all your humble correspondent, lives in a vacuum. So perhaps it’s because I’ve recently seen THE PREDATOR that the mere, yet aggressive, mediocrity of VENOM did not make for a completely awful cinematic experience. Which is not to say that this ploddingly plotted effort is good, but for sheer… Read More »
THE PREDATOR
One comes to a Shane Black film with high hopes. They are not always rewarded, but when he comes through with films like KISS KISS BANG BANG, or the criminally underappreciated THE GOOD GUYS, the results are quirky, clever, and delightfully original. If you haven’t seen them, choose either, or both, instead of THE PREDATOR.… Read More »
JURASSIC WORLD: FALLEN KINGDOM
I’ll give JURASSIC WORLD:FALLEN KINGDOM this. When it leaps off the rails into utter inanity, it does so with grim determination and the courage of its (misguided) convictions. It continues on, camera swooping majestically and music swelling heroically with monotonous regularity, robbing the few truly worthy moments of their specialness, and drowning the rest of… Read More »
SOLO: A STAR WARS STORY
Click here for the flashback interview with Alden Ehrenreich for BEAUTIFUL CREATURES. SOLO: A STAR WARS STORY annotates and amplifies the mythos surrounding that devilish anti-hero of the franchise, Han Solo. Set well before the events of EPISODE IV: A NEW HOPE, it introduces us to Han before he learned to fly, but after he… Read More »
A QUIET PLACE
Why lob blood and guts when a lamp being knocked over can make you jump out of your seat?
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