It’s not that THOR: LOVE AND THUNDER is unwatchable. Quite the contrary. The special effects are stupendously unrestrained. The story is adorable, leaning towards a good-natured spoof of superhero movies as practiced in the 2020s. The performances can’t be faulted, even if Christian Bale as the god-hating ex-acolyte out for revenge is far darker, and… Read More »
THE BLACK PHONE
The horror in THE BLACK PHONE, and very effective horror it is, comes not primarily from the serial child killer on the loose in a suburban enclave of Denver in 1978. Played with a geeky, creepy panache by Ethan Hawke, The Grabber, as he is dubbed by the police and the populace of this all-American… Read More »
JURASSIC WORLD DOMINION
At two hours and twenty-six minutes, JURASSIC WORLD DOMINION is as hefty as the ginormous terrestrial behemoths that feature prominently in it, and it is just as ungainly. It lumbers along using the intertia of its sheer mass to propel along a story that is as dedicated to calling out classics as it is to… Read More »
CRIMES OF THE FUTURE
Click here for the flashback interview with David Cronenberg and Viggo Mortensen for EASTERN PROMISES. With CRIMES OF THE FUTURE, David Cronenberg once again presents us with a dystopian future, or is it an alternate present, that is alien and yet, somehow, instantly familiar. It’s not just the machines that mimic the skeletal structures of… Read More »
DR. STRANGE IN THE MULTIVERSE OF MADNESS
With DR. STRANGE IN THE MULITVERSE OF MADNESS, we are gifted with a thimbleful of plot in a vast expanse of cinematic ocean. This being yet another piece of the equally vast Marvel Universe, the story is obliged to take its hero, Stephen Strange (Benedict Cumberbatch), from Point A to Point B in order to… Read More »
MEN
Click here to listen to the flashback interview with Alex Garland for EX MACHINA. One of the many striking images from Alex Garland’s MEN is of a serene autumnal landscape with a dark and looming entrance to a tunnel. It all but shimmers in the late afternoon sun, and then a raindrop falls into it,… Read More »
MORBIUS
Let me start with a spoiler. MORBIUS is not a good film. This grim and grimy excursion into the Marvel Universe has the special effects. It has the clash of superhero and super villain. It has a bustling metropolis (New York City) where the residents, and at least one federal agent, are quick to blame… Read More »
THE BATMAN
One thing you can say about THE BATMAN without fear of contradiction is that there is a lot of it. Clocking in at three hours or so, it packs in enough plot for a trilogy, as though all concerned fretted that this might be their only shot at the rebooted DC franchise. Fear not, though.… Read More »
THE ABANDON
One of the most intriguing sub-genres of sci-fi/horror cinema is that which is accomplished with few, if any, special effects. The best of these, such as COHERENCE or THEY LOOK LIKE PEOPLE, to name but two, are so thoughtfully conceived and intelligently crafted that the addition of gizmos, gadgets, or those ci-mentioned special effects would… Read More »
MOONFALL
MOONFALL is everything that a Roland Emmerich film should be. There are dazzling special effects. There are several plot threads happening simultaneously that occasionally show a puckish confluence. There are parent-child issues. And there is a huuuuuuuuuge story. This time, it’s the curious case of the moon shifting its orbit in a way that defies… Read More »
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