Casey (Haley Lu Richardson) notes early on that one of the many architectural treasures of the titular COLUMBUS features elements that are off-center, but are still in harmonious balance. It is, as with so much else in this emotionally explosive but soft-spoken film, an exquisitely realized metaphor. A tale of seeming opposites with surprising and… Read More »
LANDLINE
In a perfect world, Jenny Slate would be America’s undisputed sweetheart. With her lopsided smile and quixotic lunges at happiness that strew confusion in the wake of good intentions, she is the quintessence of a good person confused by a zeitgeist that provides many options, but few guidelines. Reuniting with her OBVIOUS CHILD director/writer… Read More »
SPIDER-MAN: HOMECOMING
Leaving aside what might otherwise be a richly nuanced discussion of why we need another Spider-man reboot so soon, it is with delight and relief that I report its success. Tom Holland takes on the red spandex and the ironic wisecracks as Peter Parker, the brilliant high-school kid whose bite from a radioactive spider has… Read More »
THE BIG SICK
You can’t blame Kumail Nanjiani and Emily V. Gordon for thinking that the story of their romance had the makings of a great movie. Kumail (playing himself), a Pakistani immigrant doing stand-up comedy meets graduate student (in psychology, yet), Emily (doe-eyed but tart Zoe Kazan), when she “whoo hoos” him at one of his shows.… Read More »
PREVENGE
Written and directed with a suitably biting edge by star Alice Lowe, PREVENGE is a droll and razor sharp black comedy of a horror film that considers the terrors of pregnancy and the maternal instinct gone askew. Very askew. Lowe, with a perfect deadpan sense of purpose, wields her kitchen knife as an instrument of… Read More »
BUSTER’S MAL HEART
It becomes clear early on that at some point in Jonas’ life, he has taken leave of his senses. Or, rather, his world has come apart at the seams, and his mind has done its poor best to reconstruct it using odds and ends. Told in the not necessarily linear way that the mind operates… Read More »
NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER
The title character of NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER, lives in a world of endless possibilities. Spinning schemes, half-truths, and complete fictions into a confident spiel about enormous profits and helpful introductions, he wanders the streets of New York stalking his prey of people on the edges of… Read More »
THE LURE (Córki dancingu)
THE LURE is a wickedly feminist revision of the Little Mermaid story, though our heroines are sirens, not mermaids. Sirens as in those enticing creatures that would lure sailors to their doom with their irresistible songs. In Homer’s The Odyssey, it was to see them shipwrecked, in THE LURE, it’s to dine on them. These hybrid… Read More »
THE COMEDIAN
THE COMEDIAN makes me want to forgive Robert De Niro for BAD GRANDPA. Almost.
PATERSON
PATERSON is the quintessence of everything Jim Jarmusch has done before. Playful in approach, deeply philosophical in meaning, it is a lyrical evocation of joy and sorrow as lived by a bus driver/poet during one eventful yet ordinary week in his life. The bus driver (Adam Driver), his route, and the city in which he lives… Read More »
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