There is a theological bent to Woody Allen’s CAFÉ SOCIETY. It’s there in the constant bickering between the hero’s parents about whether or not a relative has a Jewish-shaped head. And, furthermore, if he doesn’t, how can he be a proper Jew? Such questions are a Midrash on the actual story, which concerns a young… Read More »
ICE AGE: COLLISON COURSE
The Ice Age series has always gone more for the heart that the funny bone, though there is no denying that Scrat’s eternal and Sisyphean struggle both to acquire and to retain the acorn he’s been chasing through the four previous films has, in equal parts, both hilarity and a keen commentary on the noble struggle of humankind against a basically unfeeling universe.
LEN AND COMPANY
The eponymous Len, of LEN AND COMPANY is Len Black (Rhys Ifans), a successful record producer and towering failure of a human being, who has absented himself from the world in order the ponder the detritus of his life. He longs for silence, or at least no music of any kind in his rustic upstate… Read More »
FINDING DORY
FINDING DORY, the eminently worthy sequel to 2003’s FINDING NEMO, is essentially one long chase. In this it shares much with last year’s blockbuster MAD MAX: FURY ROAD, including the sense that nothing is impossible, including testing the laws of physics to their limits, and a strong message of feminine empowerment, as exemplified by that… Read More »
NOW YOU SEE ME 2
The best caper films keep us guessing even while we’re watching the caper in progress. In that way, NOW YOU SEE ME 2 succeeds admirably. The return of the The Horsemen, a band of underground magicians dedicated to truth, justice, and outsmarting everyone around them, including each other, provides several set pieces that are fine… Read More »
THE MEDDLER
(A version of this review first appeared in The New Fillmore) The complicated bond between mother and child has never had a better, a funnier, or a more heartwarming cinematic incarnation. Unconditional love and setting boundaries drive the comedy of THE MEDDLER. Written and directed by Loren Scafaria from her own experiences with an adoring… Read More »
ALICE THROUGH THE LOOKING GLASS
There could be many reasons to eschew the story that Lewis Carroll himself wrote about Alice and her adventures through the looking glass. Alas, Disney’s ALICE THROUGH THE LOOKING GLASS does not find any of them. There is a perfect madness in that book that the script by Linda Woolverton fails to capture. Instead we… Read More »
THE NICE GUYS
Shane Black has the gift of making films that are nail-bitingly suspenseful and wickedly funny at the same time. He did it with KISS KISS BANG BANG, and he’s done it again with THE NICE GUYS, a stylishly acerbic and decidedly hard-boiled neo-Noir pitting nihilism against idealism during the candy-colored decadence of 1977 Los Angeles.… Read More »
MONEY MONSTER
A film that finds a logical reason for the police to shoot a show host on live television, and makes the reason for shooting said host to be for the host’s own good, is a film that is not entirely devoid of interest. MONEY MONSTER is such a film, and this is a good thing, because… Read More »
HIGH-RISE
There is nothing subtle about HIGH-RISE, a savage allegorical satire of manic energy and pointed symbolism. Based on the novel of the same name by J.G. Ballard, it stars Tom Hiddleston as an urbane neurologist about to discover his place in the social order, and Jeremy Irons as The Architect (how Masonic?), the emotionally constipated… Read More »
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