PILGRIMAGE tells a dour tale of faith and fanaticism. Set in 13th-century Ireland, it blends mysticism with realpolitik in a time and place so distant from ours that a subtext of imperialism might be almost too subtle, while the vicious commonplaces of summary justice, revenge, and casual violence are all too vivid A prologue set… Read More »
THE HITMAN’S BODYGUARD
In a way, it would be a shame to saddle Samuel L. Jackson and Ryan Reynolds with too much plot in THE HITMAN’S BODYGUARD. The snark fest that they provide as adversaries forced to endure one another’s company is its own reward as they travel from Manchester to The Hague while fending off some very… Read More »
THE DARK TOWER
Intermittently garrulous, yet generally somnambulant, THE DARK TOWER disappoints on almost every level. Based on the Stephen King series of the same name, the cinematic version blows a kiss to the novels, then goes its own way plot-wise for reasons that defy explanation, unless it’s a scheme similar to the one in Mel Brooks’ classic… Read More »
DUNKIRK
Spinoza once opined that you couldn’t use words to describe God, because by choosing any one or several, you would be eliminating the infinite nature of the deity. That essential inadequacy of words drives much of Christopher Nolan’s stunning film, DUNKIRK. Stunning in many sense of that word. Hence, we don’t learn that Tommy (Fionn… Read More »
WAR FOR THE PLANET OF THE APES
There is something heartening in a sequel to a sequel that is as good as the original. Imagine how much more heartening it is that WAR FOR THE PLANET OF THE APES, the third in the trilogy that launched with the excellent DAWN OF THE PLANET OF THE APES and continued with the equally excellent… Read More »
SPIDER-MAN: HOMECOMING
Leaving aside what might otherwise be a richly nuanced discussion of why we need another Spider-man reboot so soon, it is with delight and relief that I report its success. Tom Holland takes on the red spandex and the ironic wisecracks as Peter Parker, the brilliant high-school kid whose bite from a radioactive spider has… Read More »
BAYWATCH
One comes away from BAYWATCH wondering many things, none of them good, one of them why Spongebob Squarepants had to be involved. Based on the television phenomenon that swept the world a few decades back, this cinematic leap is neither faithful to the original, nor is it a loving spoof of same. It fails to… Read More »
KING ARTHUR: LEGEND OF THE SWORD
It’s as though Guy Ritchie binge-watched Game of Thrones and then thought to himself, “Hey, I can do that!” and made KING ARTHUR: LEGEND OF THE SWORD. To which I reply, “No, Guy. No you can’t.” What we have here is a chaotic script that attempts several, mutually exclusive tones and genres, with poor Charlie… Read More »
THE ASSIGNMENT
The subject matter in Walter Hill’s THE ASSIGNMENT will make half the audience cringe in a way that the other half, no matter how empathetic, won’t be able to fully understand. And that’s sly. This brutal exercise in gender studies, masquerading as a biting action-noir fable, is rife with irony and with bald truths designed… Read More »
LOGAN
The standalone X-Men story, LOGAN, dares much with its darkness, and achieves even more by being an emotionally brutal story that relies on character, not spectacle, to pack its considerable wallop. A tale that is as psychically violent as it is physically so, it is a sharp descant to the earlier films in the franchise… Read More »
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