If nothing else, SAN ANDREAS is one of the finest advertisements ever made for the importance of emergency preparedness. Those who survive the state-long earthquake that erupts on the eponymous fault line are either those who know to duck under a table or shelter by a solid wall, or those who are related to those… Read More »
MAD MAX: FURY ROAD
George Miller first sent Mad Max blazing across the sere post-apocalyptic landscape in 1979 and thence onto cinematic legend. Sequels followed. Mel Gibson in the eponymous role rose to international fame and, eventually, Miller moved on to different sorts of classics with BABE and HAPPY FEET. Now, thirty years and more later, he is revisiting… Read More »
HOME is Where the Heart is
Based on the novel “The True Meaning of Smekday” by Adam Rex, HOME is a sweet animated film that is equal parts cheery and poignant. Aimed more at kids than at adults, it takes the time-honored themes of friendship, family, and keeping promises and wraps them in an imaginative new package as shiny and inviting… Read More »
RUN ALL NIGHT with Liam Neeson
There is a reason that there is a rigid formula for Liam Neeson action films: it has a tendency to hit more than it misses. In RUN ALL NIGHT, the tropes are all present and accounted for with the variations that are permitted within the formula’s rules. Neeson is the everyman with, you will pardon… Read More »
INSURGENT Keeps the DIVERGENT Franchise Puffing Along
The advantage of seeing outstanding actors in a middling film is that you can appreciate just how good they are on a whole new level. And INSURGENT is certainly a middling film, though that is an improvement on the last installment in this franchise, DIVERGENT. With a new director, Robert Schwentke, bringing Veronica Roth’s YA… Read More »
A Choppy CHAPPIE
CHAPPIE is a cross between Pinicchio and ROBOCOP with a dash of DISTRICT 9. That last is unsurprising because CHAPPIE is the brainchild of Neill Blomkamp, and many of the elements at work in that earlier film about the meaning of humanity are at work in this one. The battleground is still South Africa, Blomkamp’s… Read More »
JUPITER ASCENDING. Not.
The Wachowskis know how to produce a spectacle. In that, they may very well be the cinematic heirs of Cecil B. DeMille, whose films featured showmanship of the highest caliber, but some of whose films could charitably be described as insubstantial. And such is the case with the space saga, JUPITER ASCENDING, a film chock-a-block… Read More »
MORTDECAI is DOA
Sneaking into theaters without benefit of a press screening, MORTDECAI is a tragically unfunny attempt at lighthearted comedy. Based on the novel Don’t Point that That Thing at Me” by Kyril Bongfiglio, its efforts at whimsy fall flat, while its attempts to attain the quirky begin and end with the waxy curls of Johnny Depp’s… Read More »
TAKEN 3
And so once again we are in the company of Bryan Mills and his very specific skill set as brought to life by the incomparable Liam Neeson. The one-man demolition squad, trained by the darkest of black ops, is once again called into action when his family is threatened. Fortunately, this is no irksome… Read More »
THE HOBBIT: THE BATTLE OF THE FIVE ARMIES
And so it is our last visit to Middle Earth, and a bittersweet one it is. Peter Jackson’s finale to his pair of trilogies is a triumph of spectacle and humanity, notwithstanding that the human beings of the piece are not the main characters. It’s only flaw, and that is a relative one, is that… Read More »
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