Let us frankly marvel at what technology can do. It can allow the gloss of an ape avatar to convey the most subtle and the most powerful of performances, complete with echoes of that human actor’s appearance, with flawless nuance. And so it is in THE KINGDOM OF THE PLANET OF THE APES. That same… Read More »
THE FALL GUY
THE FALL GUY is big fun made better by crackerjack cast and its whimsical penchant for self-reference. Based on the vintage television series of the same name, it reboots Colt Seaver (Ryan Gosling) as a stuntman for the hottest star in Hollywood, Tom Ryder (Aaron Taylor-Johnson), and madly in love with Jody Moreno (Emily Blunt),… Read More »
GODZILLA X KONG: THE NEW EMPIRE
GODZILLA X KONG: THE NEW EMPIRE begins with a lonely Kong suffering the pain of an infected tooth, and the loneliness of being the last of his kind. It’s a good place to start, and if the filmmakers had stayed with the big guy on his adventures, this would have been a much better flick.… Read More »
HUNDREDS OF BEAVERS
If, in a parallel universe that I would very much like to visit, Chuck Jones hired Guy Maddin to create a Looney Tunes cartoon, the result might not be too different from Mike Cheslik’s HUNDREDS OF BEAVERS. This gleefully unhinged excursion into intrigue, romance, and the call of the wild transcends, and transgresses, many genres… Read More »
ARGYLLE
Someone once opined, perhaps facetiously, that there is a fine line between stupid and brilliant. There isn’t. There is a wide yawning chasm that would take a super-laser traveling at the speed of light several millennia to cross, and even then, it would only register on the far side as a faint glimmer in the… Read More »
THE BEEKEEPER
Yes, I’m going to say it again. Jason Statham makes everything better. Even in a dog of a flick, he’s worth watching (talking to you MEG 2: THE TRENCH). But when he’s in a well-crafted action flick that’s as fun as it is unpredictable, well, that’s darn near nirvana. And so it is with THE… Read More »
AQUAMAN AND THE LOST KINGDOM
AQUAMAN AND THE LOST KINGDOM is a tired pastiche of the super-hero/sci-fi genre most notable for being a perfect distillation of the phenomenon known as “super-hero fatigue”. Smothered by its been-there, seen-that vibe, it presents little to recommend it beyond Randall Park as both the embodiment of egregious exposition and the voice of reason. He… Read More »
THE MARVELS
There is one thing you can say for sure about THE MARVELS. There is a whole lot of it, and most of it involves overwrought CGI effects. They are beautifully executed, but eventually become tiresome, not just for the repetitive nature of the fight sequences, but also for the sheer scale, which starts at 11… Read More »
THE KILLER
David Fincher’s THE KILLER is as methodical as its protagonist, the philosophizing hit man in the midst of pickle that challenges his core nihilistic belief system in which karma doesn’t figure, nor does luck. The irony may be lost on this unnamed protagonist, but not on us as we are treated to a cavalcade of… Read More »
THE CREATOR
For such a thoughtful film, THE CREATOR is curiously underwritten. Building to several emotional crescendos during its two hours and thirteen minutes of running time, the intended resonance is, alas, subsumed by the spotty nature of a narrative that proceeds gamely from one set piece to another without giving us much in the way of… Read More »
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