Forget subtexts about the influence of media violence on young and impressionable minds. Forget the other subtext about effect of family dynamics in forming the characters of those equally young and impressionable minds. Though both are present in KICK ASS, based on the comic book by Mark Millar and John Romita, Jr., and employed as… Read More »
THE LOSERS
THE LOSERS, based on the DC Vertigo Comic, is not great cinema, it is merely a great time at the movies, and there is no shame in that. Granted, its working with a run-of-the-mill plot involving a group of idealistic but profane misfits out to save the world from a an evil genius with no credit… Read More »
IRON MAN 2
In IRON MAN, there was the inestimable delight in discovering the giddy elan and surprising depth that Robert Downy, Jr. brought to the titular role and his alter ego, Tony Stark. In IRON MAN 2, there is an equal delight in discovering that far from a retread, Downey has discovered even more subtle nuances to… Read More »
ROBIN HOOD
Those hoping for a whiz-bang re-telling of the legend of merry men stealing from the rich and giving to the poor will be sorely disappointed with Ridley Scotts ROBIN HOOD. This is an origins tale, one that starts slowly and, despite anxious and insistent hand-held camera work to give the illusion of drama, never rises… Read More »
KILLERS
KILLERS, a film released without a press screening, takes ones breath away with the depth, breadth, and sheer scope of its ineptitude. Director Robert Luketic has confused helming a frothy action romp through silliness with remaking Ingmar Bergmans SCENES FROM A MARRIAGE. Star Katherine Heigl may be many things, Liv Ullman is not one of… Read More »
THE A-TEAM
The biggest mistake in making a testosterone-fueled action fantasy is to have it take itself too seriously. THE A-TEAM doesnt fall into that trap. Instead, it takes everything that was fun about the series on which it was based and amps it up into stratospherically ridiculous heights. And it does so with an irresistible insouciance… Read More »
JONAH HEX
It is a consistent if ill-considered move to make JONAH HEX as lifeless as the dead with whom the title character converses. Based on the DC Comic of the same name, it follows the adventures of said Jonah (Josh Brolin), a bounty hunter with heavy baggage, and even heavier facial disfigurement, as hes called upon… Read More »
KNIGHT AND DAY
KNIGHT AND DAY is what a summer popcorn movie should be. Its big, its preposterous, and its a whole lot of fun. Boy meets girl. Boy behaves in socially inappropriate but oddly compelling ways involving guns and random acts of derring-do. Girl goes along for the ride, more or less willingly depending on where the… Read More »
YEAR ONE
YEAR ONE is a lazy excrescence of a film. Crude, sloppy, flat, and singularly uninspired, its only redeeming virtue is proving that Michael Cera is capable of rising above even this abominable material. He does this by being in a film that is entirely separate from the one taking place around him, a smart move.… Read More »
PREDATORS
PREDATORS is a murky, would-be pedantic, mess of a flick. It goes to the trouble of informing its audience that it is a continuation of 1987s PREDATOR, but takes no trouble before or after to deliver any reason for revisiting the premise of humans hunted for sport by aliens who have conquered invisibility cloaks. The… Read More »
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