THE WARRIOR’S WAY starts strong, ends with a slick tableaux and in between disappoints with a steady acceleration that not even a quietly charismatic performance by star Dong-Gun Jang, nor the image of a clown with a gun during the films climactic shoot-out, can surmount. A fanciful mix of spaghetti-western bad guys, colorful carnival folk,… Read More »
TRON – LEGACY
The original TRON was a film very much of its time, a time before e-mail and VOD, when those who had them looked upon the strange box sitting their desks with a mixture of awe and trepidation. Not having grown up with them, the population whose closest encounter until then with a computer had been… Read More »
THE GREEN HORNET
THE GREEN HORNET is not a great film, but it does get one thing very right. It is filled with the exuberance that a kid finds in living through the exploits of his or her favorite super hero or heroine. For all the faults to be found with its pacing, there is something enormously refreshing… Read More »
IP MAN 2 — LEGEND OF THE GRANDMASTER
IP MAN 2: LEGEND OF THE GRANDMASTER finds the eponymous master newly landed in Hong Kong after the turmoil of his escape from Japanese-occupied Foshan. While the film as a whole is a graceful, yet lethal, dig at chauvinism as well as imperialism, that is no impediment to it also being both an engrossing drama… Read More »
SANCTUM
James Cameron neither wrote nor directed SANCTUM, but his fingerprints as the executive producer of same are all over it. Visually, it’s an exhilarating experience. As for the storytelling, the word lugubrious comes to mind. The writing is stiff and ridden with clichés, with cheese-ish motifs overwhelmed by swelling, overwrought music cues that forge straight… Read More »
MECHANIC, THE
THE MECHANIC is slick, stylish, and fun. In short, everything for which an audience turns to an action flick for a few hours of escapist entertainment. Jason Statham again proves that he is the quintessential genre protagonist: cool, efficient, with an ironic edge and credibly cerebral. This last is critical, inasmuch as he is a… Read More »
RANGO
RANGO triumphantly trades on the peculiar appeal of the well-executed excursion into the grotesque. Channeling spaghetti westerns, Cervantes, Castaneda, and a dash of CHINATOWN as refracted through the visual sensibilities of Dali, it is a fiendishly clever concretion of high- and low-brow in a story that is both vision quest and farce. The eponymous and… Read More »
RIO
RIO is as bright, fun, and dramatic as the Brazilian Carnivale where its final chase takes place. The animated musical as a whole is one exhilarating race to restore a bird to his human companion, thwart an evil gang of bird smugglers, and make sure that love conquers all. Eventually. The bird is Blu (Jesse… Read More »
FAST FIVE
FAST FIVE understands its target audience and does nothing to disappoint it. The fifth installment of the FAST AND FURIOUS franchise, not tied by the restrictions of being chronologically later than the previous ones, incorporates as many of the elements and characters as it can from those outings into its two hours and ten minutes… Read More »
PRIEST
PRIEST, based on the graphic novel by Min-Woo Hyung, is a dark and murky thing. The apocalyptic alternate universe, where vampires and humans have battled throughout history to the detriment of the planet at large, has confused both ennui and obvious symbolism with an arch style. Only Paul Bettany, as the title character taking it… Read More »
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