Let me start with a spoiler. MORBIUS is not a good film. This grim and grimy excursion into the Marvel Universe has the special effects. It has the clash of superhero and super villain. It has a bustling metropolis (New York City) where the residents, and at least one federal agent, are quick to blame… Read More »
THE BATMAN
One thing you can say about THE BATMAN without fear of contradiction is that there is a lot of it. Clocking in at three hours or so, it packs in enough plot for a trilogy, as though all concerned fretted that this might be their only shot at the rebooted DC franchise. Fear not, though.… Read More »
UNCHARTED
UNCHARTED is like the first pitch meeting to potential financiers, which is odd since it’s been in development for almost a decade. What we have here is the broad outline of a plot full of twists, turns, and aerial stunts. What we don’t have is any sense of order or logic, even that of the… Read More »
MOONFALL
MOONFALL is everything that a Roland Emmerich film should be. There are dazzling special effects. There are several plot threads happening simultaneously that occasionally show a puckish confluence. There are parent-child issues. And there is a huuuuuuuuuge story. This time, it’s the curious case of the moon shifting its orbit in a way that defies… Read More »
ETERNALS
There is quite a bit going on with THE ETERNALS, a bold attempt to marry CGI action on a grand scale with metaphysical musings about free will, while also contemplating the fundamental principles of physics vis a vis the conservation of energy in the universe. Like I said, a lot. Had it worked, it would… Read More »
VENOM: LET THERE BE CARNAGE
Just as I was thinking what a waste Tom Hardy was in VENOM: LET THERE BE CARNAGE, I remembered that Mr. Hardy, who was so impressive in INCEPTION, MAD MAX: FURY ROAD, THE DARK KNIGHT RISES, and a slew of other films, co-produced this sequel to VENOM, and also came up with the story. The… Read More »
COPSHOP
Click here for the flashback interview with Joe Carnahan and Frank Grillo for THE GREY. There has rarely been such an effusive, even whimsical, satire on violence as that which is found in Joe Carnahan’s COPSHOP. This blackest of black comedies adroitly combines tension and goofiness with an insouciance that is nothing short of breathtaking.… Read More »
JUNGLE CRUISE
Disney surprised us all when it turned one of Disneyland’s attractions, Pirates of the Caribbean, into a top-notch action/adventure/comedy. Alas, Disney has surprised us again, but with JUNGLE CRUISE, based on one of the venerable attractions from that ci-mentioned theme park, it’s more along the lines of disappointment. We relive that attraction in due course,… Read More »
BLACK WIDOW
Braids, French and other, loom large in the visuals of BLACK WIDOW, and it is an apt metaphor. The ultra-femininity of long, flowing hair rigorously trained into orderly rows of tightly disciplined tresses echoes the rigorous training given to ultra-feminine assassin-turned-Avenger Natasha Romanoff, the eponymous super-heroine in this her first spinoff from the Marvel Universe.… Read More »
F9: The Fast Saga
I get it. After eight installments of souped-up cars zooming (in the old sense) across the screen, the stakes are very high in F9: THE FAST SAGA, a franchise that is dedicated to finding new ways to crash, crumple, and otherwise decimate automobiles. And so including a Pontiac Fiero tooling around in space should not… Read More »
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