The bad boys are back and, despite pre-emptive acknowledgements about how time is catching up with Miami’s most bombastic comedy duo of cop partners, the action is as fresh and fun as ever in BAD BOYS: RIDE OR DIE. If the schtick between “sensible” Mike and buffoonish Marcus isn’t quite as fresh or fun, transmogrifying… Read More »
THE FALL GUY
THE FALL GUY is big fun made better by crackerjack cast and its whimsical penchant for self-reference. Based on the vintage television series of the same name, it reboots Colt Seaver (Ryan Gosling) as a stuntman for the hottest star in Hollywood, Tom Ryder (Aaron Taylor-Johnson), and madly in love with Jody Moreno (Emily Blunt),… Read More »
GHOSTBUSTERS: FROZEN EMPIRE
The important takeaway from GHOSTBUSTERS: FROZEN EMPIRE, and, if one is being blunt, the only reason for it to exist, aside from those delightful miniature Stay-Puft marshmallow imps, is the delightful discovery that Kumail Nanjiani may very well be the cinematic heir of Bill Murray. Certainly, they are the only ones who consistently seem to… Read More »
DRIVE-AWAY DOLLS
DRIVE-AWAY DOLLS may be another proof of the universe’s entropy. You know, the rule that posits everything is slowly devolving into a state of disarray and incoherence. Or something along those lines. This effort by Ethan Coen certainly shows flashes of the oddball genius of the films he made with his brother, Joel, but the… Read More »
HUNDREDS OF BEAVERS
If, in a parallel universe that I would very much like to visit, Chuck Jones hired Guy Maddin to create a Looney Tunes cartoon, the result might not be too different from Mike Cheslik’s HUNDREDS OF BEAVERS. This gleefully unhinged excursion into intrigue, romance, and the call of the wild transcends, and transgresses, many genres… Read More »
MEAN GIRLS: THE MUSICAL
As we are warned in the opening number of MEAN GIRLS, this is a cautionary tale of lust, greed, and corruption. What we are not warned about is the seductive power of being the eponymous Queen Bee of the high school clique hierarchy. That is the real story, though screenwriter Tina Fey, who co-stars as… Read More »
ARGYLLE
Someone once opined, perhaps facetiously, that there is a fine line between stupid and brilliant. There isn’t. There is a wide yawning chasm that would take a super-laser traveling at the speed of light several millennia to cross, and even then, it would only register on the far side as a faint glimmer in the… Read More »
POOR THINGS
Click here to listen to the flashback interview with Emma Stone for THE HELP. POOR THINGS is a glorious gothic fantasy of the grotesque and the macabre rendered with high art and low comedy. Filmmaker Yorgos Lanthimos has found his muse in Emma Stone, who give a performance that blends careful construction with wild abandon.… Read More »
WONKA
It would have been more wrong than I can enumerate not to reference 1971’s WILLIE WONKA AND THE CHOCOLATE FACTORY in its prequel, WONKA. Hence the purple cutaway coat, the top hat, and not just the only possible Oompa-Loompa song, but also the signature wistfulness of “Pure Imagination” by Leslie Bricusse & Anthony Newly. Screenwriters… Read More »
BARBIE
At one point in BARBIE, Greta Gerwig’s pink-plastic jab at the patriarchy, America Ferrara, as Gloria, an ordinary woman, gives an impassioned précis on exactly what women face in the current social climate. It is a clarion call that should reverberate through the ages and one that will, like the film in which it appears,… Read More »
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