Click here to listen to the interview with John Malkovich about THE DANCER UPSTAIRS.If all the world’s a stage, few took to strutting their hour upon it with the same moxie as Alan Conway. He’s the subject of Brian Cook’s semi-documentary, all comedy, look at the man who impersonated Stanley Kubrick, badly, for an adoring… Read More »
BLADES OF GLORY
Having taken on Christmas and NASCAR, Will Ferrell takes the next logical step with a typically loopy take on the seamy underbelly of competitive figure skating. The only obstacle he had in his way was making a farce that would be the equal of the doings in the real world of competitive skating. Tonya Harding,… Read More »
HOT FUZZ
Co-writers Simon Pegg and Edgar Wright made an indelible impression with SHAUN OF THE DEAD, an unconventional look at what happens to human relationships when zombies run rampant through a London neighborhood. Wright directed, Pegg co-starred as Shaun, with Nick Frost as his pear-shaped and singularly unhelpful flatmate. All three of them are back in HOT… Read More »
OCEAN’S 13
OCEAN’S 13 is pure entertainment. As bright and shiny as perfectly restored vintage neon, it’s a throwback to an era when films could be fun without being stupid. When they could have a heart without being a cliché, and when guys who were just too cool for school ruled. There’s a caper, of course, intricately… Read More »
EVAN ALMIGHTY
With EVAN ALMIGHTY, the sorta, kinda, not exactly sequel to BRUCE ALMIGHTY, we learn that treacle is neither better nor worse than puerile. It’s a lateral move and they are both annoying. Jim Carrey, the Bruce of the previous film, opted out of the sequel, and so the powers-that-be turned to Steve Carell’s character, the boorish… Read More »
KNOCKED UP
An ad campaign is supposed to attract a target audience to a film. Let me amend that. It’s supposed to attract the >right< target audience to a film. In the case of Judd Apatow’s KNOCKED UP, a huge mistake as been made. To judge by the commercials and such, this is a raunchy comedy with… Read More »
LICENSE TO WED
Like so many young lovers embarking on the adventure that is marriage, LICENSE TO WED begins well, full of hope and the promise that this will be a trip to the moon on gossamer wings fraught with fun. Alas, as with 50% of all marriages in this country, this film breaks down irretrievably, leaving all… Read More »
RATATOUILLE
The story of Pixar’s latest animated triumph, RATATOUILLE, is as audacious as its hero. Not only is it as light and airy as a soufflé, it’s also as complex as the precise physics and flavorings that makes it a miracle. The hero is an unlikely choice in animal hero, a rat, albeit one drawn with… Read More »
I NOW PRONOUNCE YOU CHUCK AND LARRY
I NOW PRONOUNCE YOU CHUCK AND LARRY is another self-indulgent, unfunny wallow in what Adam Sandler thinks is funny. From the first fart joke (10 minutes in) to the second fart joke (11 minutes in), to the self-congratulatory deus ex machina ending that is supposed to redeem the previous excruciating two hours, it is a… Read More »
BALLS OF FURY
Christopher Walken’s essential star quality, his absolute uniqueness as a performer, is never more apparent, or welcome, than when he appears in dreck. Even in the worst films, ENVY comes to mind, he is there, effortlessly finding something, anything, in a bad script and worse directing, to which a hapless audience can cling until the… Read More »
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