MEET THE ROBINSONS is a whiz-bang terrific flight of fancy that is a paean to both the creative impulse that drives inventors, and the boundless optimism that keeps them going in the face of long odds and the skepticism of their less imaginative fellow creatures. Thinking so far outside the box that its very existence… Read More »
MR. MAGORIUM’S WONDER EMPORIUM
In MR. MAGORIUM’S WONDER EMPORIUM we discover that neither bright and shiny sets nor silly socks a fun film makes. Sprung from the sadly underfevered imagination of Zach Helm (STRANGER THAN FICTION), this fable is like something imagined by Turgenev during what would have been even for him one of his more bleak interludes. The plot… Read More »
RATATOUILLE — DVD
The only thing better than watching RATATOUILLE in a theater is watching the DVD of RATATOUILLE at home with a lovely big bowl of the eponymous fare on which to dine while watching it. And perhaps a side of toasted cheese and mushrooms. If you’ve seen the film, you’ll get why. The adventures of Remy,… Read More »
WALK HARD — THE DEWEY COX STORY
What SPINAL TAP did to and for the heavy metal documentary, WALK HARD: THE DEWEY COX STORY does to and for the musical bio-pic. With a fearless sense of silliness and a savage swipe at the conventions of the genre, it forges a brilliant parody that is relentlessly funny and musically acute. There is not… Read More »
27 DRESSES
27 DRESSES begins as a harmless little romp. It coasts along with a comfortable sort of premise, which lacks originality, but does have the fumbling effervescence of Katherine Heigl as its star. What starts out unremarkably quickly loses its way with writing that falters, dialogue that babbles, and a point of view that vacillates about… Read More »
FOOL’S GOLD
FOOL’S GOLD takes a radical approach to its genre. It is an adventure without thrills, a comedy without laughs, romance without heat, and a family drama without heart. A sublimely ironic deconstruction of cinematic conventions? If only. What we have here is filmmaking that is forced, flimsy and flaky. At best. Matthew McConaughey and Kate… Read More »
THE CROCODILE HUNTER: COLLISION COURSE
I am never going to have an aesthetic appreciation of the bird-eating spider. It’s about the size of a Bosc pear, hairy, and packing fangs that spout venom. Steve Irwin, cable television’s Crocodile Hunter, on the other hand, has a starry-eyed, ebullient adoration for it that makes the creature seem a little less loathsome. And… Read More »
SEMI-PRO
SEMI-PRO is a title that is more than apt for the film to which it is attached. It is a work made up of random bits and pieces in which Will Ferrell has been wedged into an insipid sports story. There is no discernible attempt to make the two disparate elements, Ferrell’s absurdity and the… Read More »
DRILLBIT TAYLOR
DRILLBIT TAYLOR is a labored and disjointed effort with identity issues. Part psycho thriller (not ineffective), part examination of the plight of the homeless vet (lunging out of left field), part screwball comedy (stereotypically obvious), and all punctuated with punch lines that can most charitably described as hit and miss. Emphasis on the latter. The… Read More »
RUN FATBOY RUN
Dennis Doyle (Simon Pegg), the oddball hero of the sweet-and sour-romantic comedy, RUN FATBOY RUN is a man who has lived for five years with the fallout of one bad, impulsive decision. That would be running out, literally, on his fiancée, Libby (Thandie Newton). His >pregnant< fiancée, Libby, and doing it as the guests were… Read More »
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